180g Audiophile Virgin Vinyl Double LP! Mastered From Original Analogue Masters Of Universal Music! Audiophile Analog Mastering By Rainer Maillard at Emil Berliner Studios!Pressed at Pallas!Violinist Eduard Melkus performs Sonatas Of The Rosary, recorded March 17-23 1967, accompanied by Hans-Jurg Lange (bassoon), Gerald Sonneck (cello, viola da gamba), Huguette Dreyfus (harpsichord), Karl Scheit (lute), Lionel Rogg (organ) and Alfred Planyavsky (double bass).'There is, as far as I know, nothing in the violin literature quite comparable to these incredibly imaginative, relentlessly intense pictorial essays by Heinrich Franz Biber (1666-1704), that still only half-known Salzburg Kapellmeister who plunged with an almost Joycean intellect into the task of delineating the Mysteries of the Rosary in musical outline... Any way you look at it, these sonatas are an experience; one is apt to forget, over a long period of time, just how remarkable - even exhausting - they are. The Melkus performance, a bit more assertive and tending towards brisker tempos, also offers a strong temptation to the buyer. For the con-tinuo part it employs the six instruments listed above. In varying combinations, and in certain sonatas it seems to me that the handling of continuo is more successful - that is, more aggressively set forth - in the new set. Melkus is tremendously skilled and forthright, and his work is exciting. These qualities are evident too in his playing of the solo Passacaglia, a relatively simple example of the form which nonetheless manages to hold you fast. Sound is superb-spacious and clean.' - High Fidelity
180g Audiophile Virgin Vinyl Double LP! Mastered From Original Analogue Masters Of Universal Music! Audiophile Analog Mastering By Rainer Maillard at Emil Berliner Studios!Pressed at Pallas!Violinist Eduard Melkus performs Sonatas Of The Rosary, recorded March 17-23 1967, accompanied by Hans-Jurg Lange (bassoon), Gerald Sonneck (cello, viola da gamba), Huguette Dreyfus (harpsichord), Karl Scheit (lute), Lionel Rogg (organ) and Alfred Planyavsky (double bass).'There is, as far as I know, nothing in the violin literature quite comparable to these incredibly imaginative, relentlessly intense pictorial essays by Heinrich Franz Biber (1666-1704), that still only half-known Salzburg Kapellmeister who plunged with an almost Joycean intellect into the task of delineating the Mysteries of the Rosary in musical outline... Any way you look at it, these sonatas are an experience; one is apt to forget, over a long period of time, just how remarkable - even exhausting - they are. The Melkus performance, a bit more assertive and tending towards brisker tempos, also offers a strong temptation to the buyer. For the con-tinuo part it employs the six instruments listed above. In varying combinations, and in certain sonatas it seems to me that the handling of continuo is more successful - that is, more aggressively set forth - in the new set. Melkus is tremendously skilled and forthright, and his work is exciting. These qualities are evident too in his playing of the solo Passacaglia, a relatively simple example of the form which nonetheless manages to hold you fast. Sound is superb-spacious and clean.' - High Fidelity
8808678161663

Details

Format: Vinyl
Label: ANALOGPHONIC
Rel. Date: 08/07/2020
UPC: 8808678161663

Sonatas Of The Rosary (H.I.F. Biber) (Gate) (Ogv)
Artist: Eduard Melkus
Format: Vinyl
New: Available to Order 93.99
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Available Formats and Editions

DISC: 1

1. Sonate I
2. Sonate II
3. Sonate III
4. Sonate IV
5. Sonate V
6. Sonate VI
7. Sonate VII
8. Sonate VIII
9. Sonate IX 1
10. Sonate X 1
11. Sonate XI 1
12. Sonate XII 1
13. Sonate XIII 1
14. Sonate XIV 1
15. Sonate XV 1
16. Passacaglia G-Moll Fur Violine Solo

More Info:

180g Audiophile Virgin Vinyl Double LP! Mastered From Original Analogue Masters Of Universal Music! Audiophile Analog Mastering By Rainer Maillard at Emil Berliner Studios!Pressed at Pallas!Violinist Eduard Melkus performs Sonatas Of The Rosary, recorded March 17-23 1967, accompanied by Hans-Jurg Lange (bassoon), Gerald Sonneck (cello, viola da gamba), Huguette Dreyfus (harpsichord), Karl Scheit (lute), Lionel Rogg (organ) and Alfred Planyavsky (double bass).'There is, as far as I know, nothing in the violin literature quite comparable to these incredibly imaginative, relentlessly intense pictorial essays by Heinrich Franz Biber (1666-1704), that still only half-known Salzburg Kapellmeister who plunged with an almost Joycean intellect into the task of delineating the Mysteries of the Rosary in musical outline... Any way you look at it, these sonatas are an experience; one is apt to forget, over a long period of time, just how remarkable - even exhausting - they are. The Melkus performance, a bit more assertive and tending towards brisker tempos, also offers a strong temptation to the buyer. For the con-tinuo part it employs the six instruments listed above. In varying combinations, and in certain sonatas it seems to me that the handling of continuo is more successful - that is, more aggressively set forth - in the new set. Melkus is tremendously skilled and forthright, and his work is exciting. These qualities are evident too in his playing of the solo Passacaglia, a relatively simple example of the form which nonetheless manages to hold you fast. Sound is superb-spacious and clean.' - High Fidelity