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The three short movements in "Aspects of Snow" are united by the theme of snowy landscapes depicted in the poems and also share concentrated musical material. The piece was written in 2012 and premiered the same year by the Malmo Academy of Music Chamber Choir under the direction of Mats Paulsson. Else Lasker-Schuler (1869-1945) was one of the leading German writers in the decades after the turn of the century. She became famous for her expressionist poetry and her colorful performances. After the Nazis took power, she was persecuted and abused but managed to escape via Switzerland to Jerusalem, where she settled for the rest of her life. The short poem "Die Dammerung holt die Sichel" can here surround the prose sketch "Nachtregen" ("The Night Rain"). The work is written for choir a cappella and solo viola, which functions as a wordless voice in the vocal folds. The work was composed in 2018 and is dedicated to Erik Westberg and his vocal ensemble. The suite "Seelenherbst" ("Autumn of the Soul") for mixed choir and percussion was composed in 2021-22 and is based on a selection of poems by Luise Buchner (1821-1877). During her time, Buchner was a noted author of novels, short stories, and poetry. However, she probably became best known for her debate book "Die Frauen und ihr Beruf", which was printed in several editions during her lifetime. She also worked to ensure that the works of her late older brother Georg Buchner, including "Wozzeck", would be published. Luise Buchner's poetry has a personal romantic- symbolist touch where nature, special places, and environments reflect and relate to people's inner experiences and changing moods. Sometimes the picture expands with questions about the individual's place in the universe. The chosen poems form a suite of five movements, where the two outer move ments that frame the work depict a jour ney from winter to autumn, while the three middle movements are evening and night moods of different characters. This work is also written for and dedicated to Erik West berg and his vocal ensemble. "Långt i forsvunna tider" ("Far in By gone Times") takes it's starting point from three songs by Wilhelm Sten hammar, "Stjarnoga", "Flickan knyter i Johannesnatten" and "Vore jag ett litet barn". I selected these songs because they were more open to new musical angles due to their close connec tion to the Swedish folk song. Stenhammar 4 is here himself both freer in his use of har mony and in his part-writing, something I have underlined and partly reinforced. I have also placed the songs in surround ing wordless material as contrast and musi cal reflection, and here and there gaps also open up inside the songs when new material is used as contrast. Swedish Radio commis sioned the work for the 150th anniversary of Wilhelm Stenhammar in 2021 and the Swedish Radio Choir premiered it under the direction of Erik Westberg. / Staffan Storm
