Music to Be Murdered By is Eminem's eleventh studio album. The album was produced by Eminem and Dr. Dre, amongst other producers, and features collaborations with Black Thought, Q-Tip, Juice Wrld, Ed Sheeran, Young M.A, Skylar Grey, Don Toliver, Anderson .Paak, Royce da 5'9", Kxng Crooked and Joell Ortiz among others.
Vinyl LP pressing. 2020 release. "Letting go can be a scary prospect," says Son Little. "But there's beauty in it, too. Everything you leave behind opens up space for something new in your life." That was certainly the case with his album, Aloha, his third studio album. Recorded at Paris's iconic Studio Ferber, the entire project was an exercise in letting go, in ceding control, in surrendering to fate. While Son Little (the stage name of songwriter, producer, and multi-instrumentalist Aaron Livingston) still plays nearly every instrument on the album himself, he put his songs in the hands of an outside producer for the first time here, collaborating with French studio wizard Renaud Letang (Feist, Manu Chao) to create his boldest, most self-assured statement yet. Equal parts vintage and modern, the collection blends classic soul, old-school R&B, and adventurous indie sensibilities into a timeless swirl fueled by gritty instrumental virtuosity and raw, raspy vocals. It's an ambitious work of vision and reflection, to be sure, but more than that, it's an ecstatic testament to the freedom that comes from torching the map and trusting the currents of life to carry you where you belong.
An eclectic remix package of St. Vincent's Grammy award winning album MASSEDUCTION, curated by Nina Kraviz. From frantic IDM and manic footwork to glistening house and meditative dubstep (via just about everything in between) her selections build an inspired portfolio from an abundance of talent. At times fragmented, at others familiar, it takes the spirit of MASSEDUCTION and runs with it in every way possible.
Multi-platinum pop singer, songwriter and sought-after hitmaker, Mike Posner has become one of the world’s most recognizable voices. The RIAA 4x-platinum smash “I Took A Pill In Ibiza”—which has over 3 billion streams, made history as “one of Spotify’s Top 10 Most Streamed Songs of All Time,” and earned him a Grammy® nomination. In 2019, Posner went on a walk across America, covering 2,851 miles from coast to coast. The trek inspired his album, Keep Going, available on CD January 31st.
When Poliça's Channy Leaneagh fell off her roof while clearing ice in early 2018, she smashed her L1 vertebrae and battered her spine, leaving her in a brace with limited mobility for months. Yet Poliça's fourth album, When We Stay Alive, is not about one debilitating accident. It's about the redemptive power of rewriting your story in order to heal, and reclaiming your identity as a result. When We Stay Alive possesses a new confidence in its sound, reflected in its fierce, determined songs and anchored by the heavy synths and punctuating beats of Poliça co-founder and producer Ryan Olson. Over the last several years Olson and Leaneagh have widely collaborated with musicians from all over the world: both with Bon Iver, and Leaneagh individually with Boys Noize, Lane 8, Sasha, Leftfield, and Daniel Wohl; Olson with Swamp Dogg in addition to countless musicians from the Aaron Dessner and Justin Vernon's 37d03d collective. As a result, When We Stay Alive features one of the largest musical casts of any Poliça record to date. To create the album, Olson brought his favorite collaborators into his studio for all-night sessions. He'd then send Leaneagh the files to write lyrics to while recovering at home, which she'd record alone or with engineer Alex Proctor. Drummers Drew Christopherson and Ben Ivascu colored the songs with a new approach ' drastically changing the rhythmic dynamic from previous efforts by creating an indistinguishable hybrid of live and electronic instrumentation--and bassist Chris Bierden provided a melody-laden low-end as well as more layered backing vocals than ever before. On Poliça's first three albums, Leaneagh focused on restructuring the world and her relationships within it. On When We Stay Alive, she realizes the power in restructuring her inner self. The album's title references the idea of moving forward through life ' our experiences, both good and bad ' and what happens next with the strength we find. 'I had been living unconsciously in past trauma,' Leaneagh says. 'I don't want to deny something happened ' this is not about repression ' it's about taking the power back from the past, holding the power in the present, and creating a new story for myself.'
High Road is the new album from the modern pop icon Kesha, and the follow up to her 2017 GRAMMY-nominated album Rainbow.
High Road finds Kesha on a joyful musical journey of self-discovery. The album is filled with emotional and stylistic range, and is a blend of heavenly highs and emotional depths. Kesha’s swagger is front and center, with frisky, rap-based tracks that show-off her skills as a lyrical spitfire, and also a folkier side that emerges. With a dream-pop ode to a best friendship, a reflective ballad about growing up without a father, and plenty of lust and laughter, High Road traverses the emotional spectrum.
For High Road, Kesha enlisted an eclectic roster of collaborators/songwriters/producers including John Hill, Dan Reynolds, Stuart Crichton, Jeff Bhasker, Drew Pearson, Brian Wilson, Sturgill Simpson, Nate Ruess, Justin Tranter, Stint, Wrabel, and Pebe Sebert, among others.
Kesha has sold more than 14 million total album equivalents worldwide, and has had 9 Top 10 hits on The Billboard Hot 100, including four #1 singles at Top 40 Radio.
Drive-By Truckers is kicking off the new election year with The Unraveling, their first new album in 3 1/2 years (the longest space between a new DBT albums ever). Those years were among the most tumultuous our country has ever seen and the duality between the generally positive state of affairs within the band and the turbulent world outside (or as Patterson Hood puts it: "watching so many things we care about be decimated and destroyed”) informed the writing of this album to the core.
Written for his fans and inspired by his idols, Walls marks the debut solo album from Louis Tomlinson. Inspired by the records he listened to in his bedroom as a kid and channeling the spirit of the brit pop era of the 90s Louis Tomlinson bares all with this incredibly honest and personal record. Featuring the likes of "Two Of Us," "We Made It," "Kill My Mind" among others the album marks a change of direction for Louis' music, and one he is happy and proud to present to the world.
Dashboard Confessional's first-ever career-spanning compilation, The Best Ones Of The Best Ones, is a thoughtfully curated collection of the band's most beloved songs and features selections from all seven studio albums, the So Impossible and The Drowning EPs, and the band's legendary, Platinum-certified MTV Unplugged performance. From start to finish, The Best Ones Of The Best Ones showcases the profound durability of Dashboard Confessional's music over the past two decades. The collection highlights singer/songwriter Chris Carrabba's extraordinary ability to give a cathartic voice to the messiest of emotions, which led the band to ascend from a bedroom project to a global sensation.
'We should try again to talk,' Frances Quinlan writes. It not just a lyric'it's a suggestion, a warning, a plea, a wish. This request is woven throughout Likewise, her forthcoming solo album, amidst dramatically shifting motifs. Some are jubilant, some are dreamy and abstract, and a few are sinister, but within each dark void that Quinlan explores, there is a light peering back at her. Frances Quinlan has built an identity for herself over the past decade as the lead songwriter and front-woman of the Philadelphia-based band Hop Along, and her distinct voice is among the most recognizable and inimitable in music. While the band began as Quinlan's solo project (originally titled Hop Along, Queen Ansleis), Likewise (out January 31st on Saddle Creek) is Quinlan's debut under her own name. To make the record, she enlisted the virtuosic skills of her bandmate Joe Reinhart, and together they produced the album at his studio, The Headroom, recording in stints over the course of a year. With a renewed openness to explore different sounds, Quinlan supplements her typical guitar-based instrumentation with synthesizers, digital beats, harps, strings, and a wide variety of keyboards. The shifting and exploratory nature of these musical arrangements allow her lyrics and vocals'which have always been at the forefront of her music'to reach emotional depths like never before. Her vocal tones beckon a kaleidoscopic range of emotions across all nine songs on the album, from soft and ruminative to enraged and commanding; from conveying powerful messages to highlighting small, yet poignant, moments. Quinlan is a voyaging songwriter. Throughout Likewise, she confronts what confounds her in the hopes that she will come out on the other side with a better sense of what it is to be human. She presents listeners with a complicated, albeit spirited vision of what it could mean to truly engage with another person, to give a small piece of oneself over to someone else without expectation. Although such is likely to be a lifelong effort, these songs prove evident that light can still permeate from unsettling depths.
'Is It You, Is It Me', Dustbowl Revival's 5th full length album over a span of 12 years, reveals the band moving in an exciting new direction. Instead of Dixieland jazz and Depression-era folk songs serving as musical mile markers, this new collection mines an energizing vein of soul, funk and roots-infused rock.
A person whose words are so potent that they cause the people and beings around them to vibrate is said to have a "silver tongue." It's apt, then, that Mackenzie Scott-who has spent the 2010s making boundary-pushing pop music under her Torres moniker-has chosen to call her fourth album, and first on Merge, just that. Recorded at O'Deer in Brooklyn, New York, Silver Tongue is a full-scale realization of the world Scott has created over Torres' last few albums. Even when singing in more subdued tones, Scott's voice is fervent, her lyrics stirring and unyielding as she draws from both the divine and the everyday
Vinyl LP pressing. 2020 release from the Los Angeles-based garage/indie rock band. Natural Affair features lyrics centered around social commentary, rhymes, and ruminations on the pleasures and perils of modern love. Led by singer Brooks Nielsen and music director/guitarist Matt Taylor, The Growlers self-produced the album with a backing band comprised of longtime Growlers touring members Brad Bowers on bass and Richard Gowen on drums as well as Circles Around The Sun's Adam MacDougall (keys, synth) and Dan Horne (bass).
Completing a compelling trilogy of albums since his late-flowering return to solo songwriting and singing six years ago, Ben Watt releases his fourth LP, "Storm Damage" and with it a new sound and fervency. Sonically adventurous, lyrically detailed and engaged, the album - written and produced by Watt - is a personal journey through anxiety and change cut through with an insistent defiance. In stores January 31, 2020 via Unmade Road/Caroline.
Single LP on black vinyl in single jacket with 12” x 12” insert. Includes coupon for full download
Dan Bejar initially conceived of Have We Met, his 13th album as Destroyer, as a Y2K album. He was already active during the era but not heard overhead in a cafe or salon, which is perhaps what the idea of the Y2K sound evokes nearly two decades later. Bejar assigned frequent producer and bandmate John Collins the role of layering synth and rhythm sections over demos with the period-specific Bjork, Air, and Massive Attack in mind, but he soon realized the sonic template was too removed from Destroyer’s own, and the idea of a concept was silly anyway. So he abandoned it and gave Collins the most timeless instruction of all: “Make it sound cool.”
The result is not a startling departure from 2017’s new-wavey, Thatcher-era yearning ken, but unlike that more bandoriented approach, the only actual instruments that appear here are bass and electric guitar. MIDI instrumentation will of course invite Your Blues and Kaputt nostalgia, the two other John Collins-heavy affairs, and to some degree that’s valid. Each contrasts cavernous empty space and synthetic sounds, but rather than whimsical theatrics or sleazy orchestral pop, Have We Met is buoyed by precise, plasticky guitar shredding three-dimensionally across massive percussion—the loudest and dirtiest drums on a Destroyer record to date.
Squirrel Flower is the alias 22-year-old Ella Williams adopted for herself when writing songs and poetry as a child. Coming from a professional musical family spanning generations, Williams has always been surrounded by music. By 14 she started writing more seriously and released her first EP of folk music under her own name. After immersing herself in the DIY scene of her Boston hometown before moving to Iowa to study art + gender, women’s, & sexuality studies at Grinnell College, she found a more experimental sound, linking her choral roots, classical harmony and ethereal chord structures, and released her first EP as Squirrel Flower, Early Winter Songs From Middle America. Her second EP, Contact Sports, is a perfectly formed collection of songs about relationships; intimacy, dependency, betrayal and geography, set to the backdrop of the American midwest. The songs represent push and pull of love and intimacy while also being meditations on place. From the fulsome guitar and visceral, cathartic breakdown of lead single "Conditions" to the carefully layered beauty of "Hands Melt," this varied collection frequently impresses with its maturity and craftsmanship. Tracks like the fuzzy, dimly-lit euphoria of "Daylight Savings" are spellbinding in their turn of phrase as Williams sings “I know we’ve gained an hour, but I feel like we’ve lost two.”
Five-time Grammy Award-winning Rock and Roll Hall of Fame inductees Green Day unleash their brand new single “Father Of All…,” which is the lead track on their forthcoming thirteenth studio album of the same name, out February 7, 2020 on Reprise / Warner Records. Formed in 1986 in Berkeley, CA, Green Day is one of the world’s best-selling bands of all time, with more than 70 million records sold worldwide and 10 billion cumulative audio/visual streams. Their 1994 breakout album Dookie, which sold over 10 million and achieved diamond status, is widely credited with popularizing and reviving mainstream interest in punk rock, catapulting a career-long run of #1 hit singles. Entertainment Weekly calls Green Day, “The most influential band of their generation,” while Rolling Stone attests, “Green Day have inspired more young bands to start than any act this side of KISS, and that doesn't seem to be changing.” In 2004, Green Day released the rock opera American Idiot which captured the nation’s attention, selling more than 7 million copies in the U.S. alone and taking home the coveted Grammy Award for Rock Album of the Year. Mojo declared “It's exhilarating stuff, the kind of record that sets new parameters as to what is possible from a punk rock'n'roll band in the 21st century.” In 2010, a stage adaptation of American Idiot debuted on Broadway to critical and commercial acclaim.
With their ninth album, Nada Surf: Matthew Caws, Daniel Lorca, Ira Elliot, and Louie Lino continue pursuing their humanistic vision of the world through hooky, catchy rock songs with sharply drawn, yet tenderly felt lyrics. Never Not Together, is a compact, yet wide-ranging collection of songs that revel in the quartet's ability to evoke and reflect grand and intricately wrought emotions, whether through sweeping guitar solos or hushed-whisper vocals. Never Not Together was recorded at the Coach House Studio in Wales' Rockfield Studios, where artists like Echo & the Bunnymen, the Flamin' Groovies, and Dumptruck recorded albums. "I've been seeing the name on albums for so long," says Caws. "It's a working farm, and the founder/owner, Kingsley Ward, would come in and tell us stories when he wasn't farming. I'd walk into town every morning and listen to the sheep talking as I walked by them."That openness to listening to their fans, to each other, to the world has helped inform Nada Surf's legacy as down-to-earth rock stars musicians who can command festival stages around the world while connecting to audience members on a personal level, conscious of the shared humanity every step of the way.
Oh Wonder announced details of their upcoming third album, No One Else Can Wear Your Crown, which will be released on February 7th, 2020! The new album will include their first single "Hallelujah" and most recent follow-up "Better Now." Oh Wonder also shares a brand new track from the album, "I Wish I Never Met You," out now. The album announcement arrives hand-in-hand with the first installment of international dates for the "Wear Your Crown Tour," including legs in North America and the U.K..
Grammy-winning and BRIT and Mercury-Prize-nominated artist La Roux returns with her first new material in five years - 'Supervision' out February 7th 2020 on her own label Supercolour Records. From cover to contents, this is unequivocally the album Elly Jackson always wanted to make - a claim that with some artists might ring alarm bells, but in this instance simply means that ‘Supervision’ sounds precisely, unmistakably, gloriously like La Roux.
La Roux shot to worldwide fame with her debut self-titled album in 2009 selling over 6 million singles worldwide and - in addition to collaborations with the likes of Skream, Kanye West, and Major Lazer – helped reshape pop as we now know it. Elly’s second album, 'Trouble In Paradise', was a critically-adored reinvention, topping the Dance/Electronic charts in the US and landing La Roux her second top 10 album in the UK.
The Big Exercise, the second album by Dutch band The Homesick, and their first for Sub Pop, finds the group keenly second-guessing their core chemistry as a live unit, imbuing their angular post-punk workouts with baroque elements such as piano, acoustic guitar, percussion, and even clarinet. “It’s the opposite of trying to translate recorded music to the stage,” guitarist Elias Elgersma comments. “We were already playing these songs live for quite some time, so for this album, we wanted to unlock the potential of these songs further in the studio.” Opening track “What’s In Store” was in part inspired by bassist Jaap Van der Velde’s unprompted deep dive into the world of national anthems, making his own attempt to conjure a similarly timeless melody. The song seamlessly bleeds into the chivalrous prance of “Children’s Day” and the fragmented “Pawing,” righteously encouraging Erik Woudwijk’s nimble, cerebral drumming to become the band’s driving force. The headstrong wanderlust of The Big Exercise is fitting, given The Homesick’s exodus as a small-town Dutch band ready to trot the world. Contrary to the quest for belonging, roots, and provenance found on their debut album, Youth Hunt, the band’s creative trajectory is now dictated by a sense of otherness and imagination. The sharp contrasts are ever-present; the music’s new sonorous depth is underpinned by wry meditations on family ties, alternate realities, and commonplace encounters. As the band’s chief lyricists, Elgersma and Van der Velde deliberately keep each other in the dark, allowing the syntax of words and music to entangle in surprising – sometimes delightfully absurd – ways. “I Celebrate My Fantasy,” for example, summons a mirage of creeping pianos, sylvan clarinet flourishes and cartoonish sprawls with mock-paranoia, as Elgersma documents a macabre vision he had during a mild case of sleep paralysis. True to the band’s method of holding the more mundane, fleeting moments under a magnifying glass, closing track “Male Bonding” pulls a wide range of movements out of the top hat: the album’s rare heavy burst is promptly mediated by almost medieval-sounding prog rock-flirtations. The Homesick have made a record impregnated with impressions that still fit neatly under the pop umbrella. The album title’s nod to Scott Walker - “the big exercise” is a phrase pulled from a passage in Walker’s biography, Deep Shade of Blue - isn’t an aberration either: straddling pop sonority and the cacophonous fringes is something well worth aspiring.
The Lone Bellow’s new album Half Moon Light is replete with the trio’s signature powerhouse harmonies, passionate performances, and honest songwriting. The 15-track album touches on personal topics like family, loss, overcoming struggle, and letting things go. The band expertly traverses several moods throughout the record, going from gentle, soothing lows to enormous, sweeping highs, and their musicianship shines through in each and every track.
Canadian folk and country singer/songwriter William Prince returns with his second album 'Reliever out 7th February via Glassnote Records"RELIEVER is a series of pieces for healing. Alleviation. As the definition states, something that allows for relief from pain, discomfort or distress. I've been told my songs allow people to let out their hurt; reminiscent of bloodletting. Reliever takes aim at the moments where we as human beings feel we aren't enough." Prince won a Juno 2017 Award for Contemporary Roots Album of the Year for his debut album Earthly Days.
Christopher Paul Stelling is a guitar virtuoso, a folk singer- songwriter and a touring troubadour. His new album Best of Luck was produced by Grammy award winning musician-producer, Ben Harper.The album's title, Best Of Luck, mirrored perfectly the emotional landscape in which it was created. "Depending on how you say it, it can either be a blessing or a dismissal," Stelling says. "And that was exactly the point I was coming to with myself, my career as an artist, as a friend and as a person." Harper and Stelling met a few years back when Harper invited Stelling to open a series of shows. "Ben gave me a true gift back then," Stelling says. "I'd been on the road for a long time and he put me onstage in front of his fans. He took me to the Beacon, The Ryman, Massey Hall, all these legendary rooms. Just to see that what I could do would even translate in spaces like that was revelatory."When Harper talks about his admiration for Stelling,. "A guy that can play any instrument from any country and play it with real feeling. He crosses genres but manages to respect them; he is a folk singer with an unusual soulfulness. He understands where this music comes from and why it's remains so essential. Of all the record's I have produced, this is one I'm most proud of."
Yorkston/Thorne/Khan ' a trio of James Yorkston (guitar/nyckelharpa/vocals), Jon Thorne (double-bass/vocals) and Suhail Yusuf Khan (sarangi/vocals) - are pleased to announce their new album Navarasa : Nine Emotions. YTK unite one of the key spiritual visionaries and architects of Hindustani art music, the poet-philosopher Hazrat Amir Khusrau with the key literary visionary of Scottish and Scotslanguage culture, Robert Burns. This bricolage of diverse cross-cultural elements is apparent across Navarasa : Nine Emotions, and all of what YTK create. James Yorkston weaves in Scottish folk, sangster and literary strands; Jon Thorne is grounded in jazz and groove; what the New Delhi-based, eighth-generation hereditary musician Suhail Yusuf Khan brings to this feast of pulses and cycles is northern Indian classical, light classical (thumri, for example) and Sufi devotional musical and literary forms. What binds these diverse musical strands together is, in James' phrase, 'a dark happiness.' Navarasa : Nine Emotions is the trio's third record and follows Everything Sacred (2016) and its successor Neuk Wight Delhi All-Stars (2017).
Joe Russo’s debut solo album 'phér•bŏney’ is now available on limited edition black vinyl via Royal Potato Family. Initially a surprise release on digital formats in early summer 2019, the LP editions mark the first time the recording is available in physical form. Throughout ‘phér•bŏney,’ Russo defies expectations with a collection of dreamy instrumentals and vocal tracks, channeling a sublime, reflective musicality. The wildly imaginative, yet cohesive, 9-song set moves through ethereal indie-pop, Ennio Morricone-like soundscapes, electro-jazz forays and smoldering, African-inspired guitar workouts.
Critically acclaimed and revered songwriter John Moreland is set to release his fifth solo album, LP5, on February 7th via Old Omens/Thirty Tigers. Produced by Matt Pence (Jason Isbell, The Breeders, Sarah Jaffe) at The Echo Lab, LP5 marks the first time that Moreland has worked with an outside producer. The elevated and brilliant production on LP5, provides a stunning backdrop for Moreland's masterful and poetic lyrics, creating his most powerful work to date.
Justin Bieber is ready to give the world insight into events that have taken place in his life over the past four years. From marriage to faith and his new outlook on life, Justin is reflecting on changes he's experienced and the impact they've had on him. "Changes" marks a new chapter in his career. The album hinges on themes of personal growth through life experiences, love and commitment, creatively expressed through music, giving a candid look into his evolution as an artist and human being.
Tennis are an indie pop duo comprising husband and wife Patrick Riley (guitar, keyboards, production) and Alaina Moore (vocals, keyboards). The band wrote their upcoming album on land and sea; on their sailboat traveling around Baja California, Mexico & in their recording studio they built in Denver. Alaina and Patrick were driven to elevate their songwriting & experimented with different instrumentation, time changes, & a focus on lyrical storytelling. The band experienced many life-changing occurrences over the last two years that influenced their writing - from loss to illness and renewed bonds. Swimmer is a single they are releasing in Fall 2019, coming out as the band announces touring dates for spring 2020.
White Ladder (20th Anniversary Edition) celebrates the multi-platinum-selling album from singer-songwriter David Gray. This expanded, deluxe release features the iconic album newly mastered on 2 pieces of white vinyl plus previously unreleased and rare White Ladder-era B-sides and demos on 2 pieces of black vinyl. David Gray has also personally crafted a series of writings about his White Ladder experience, chronicling the people involved, and the stories behind some of the songs and most memorable shows. These writings are featured in a commemorative book alongside rare photography and housed in beautiful packaging that also features the lyrics to timeless hits such as "This Year's Love," "Babylon," and "Sail Away." "What happened with White Ladder involved more than music. It was a sort of heart and soul moment of total surrender for everybody involved, for me and the audience. That was it. It doesn't get any better than that." - David Gray
Vocalist/producer/multi-instrumentalist EDEN announces the forthcoming release of his new album, no future. Due out via Astralwerks on February 14, no future marks the follow-up to his acclaimed 2018 full-length debut, vertigo.
Portland, OR's Eyelids, one of rock's best-kept secrets, step firmly out from the shadow cast by the band members' pedigrees earned from time spent in GBV, Decemberists, The Jicks and Elliott Smith. Produced by Peter Buck of REM and featuring lyrics written by poet and frequent Tim Buckley collaborator Larry Beckett, The album features a bountiful cacophony of gorgeously shimmering riffs and songs so delectably crafted that all who value the electric guitar as a source of joy should find themselves awash in goosebumps once under this record's spell. A testament to rock's remaining vitality as an art form, Eyelids' fourth album finds the outfit as both stewards of a classic sound (Big Star and REM disciples will fall hard for this project) and accomplished artists propelling their craft to thrilling new heights. The Accidental Falls casts a hypnotic spell over the listener and triumphantly reminds us, hearts fully on sleeves, why we fell in love with rock n roll in the first place.
No one forgets the first time they saw Tami Neilson. She can hush a room with an original song that channels the hurting spirit of Patsy Cline or the sensuality of Peggy Lee, or bring the audience to its feet on a rockabilly raver. She's an artist with real range, whose powerful voice can take on big ballads, golden-age country, heartfelt Gospel, soul-infused R&B, Western swing, even old-style rock 'n' roll. Tami encompasses them all and is a personality-powered cyclonic force of nature in stylishly retro attire, long lashes and a stacked-high beehive. Of her new album's title, CHICKABOOM!, Tami explains, 'I wanted to write an album of punchy little songs, popping firecrackers that, when stripped back to nothing but a guitar, percussion and two voices, would still go boom!' The new collection brings much personal and family history to the table. Tami grew up performing across North America with the Neilson Family Band, working alongside greats such as Johnny Cash, Tanya Tucker, and Kitty Wells. Subsequently, Tami fell in love with a New Zealander, moved to the bottom of the world and began her solo career without the support of the family. Her early records saw her in a self-created territory between mainstream country and alternative country, with awards in New Zealand for albums that added breadth to her 'country singer' label: Best Female Artist, Best Country Album, Best Country Song, an APRA Silver Scroll (songwriting) award and Album of the Year nominations. Her Dynamite! album of 2014 received rave reviews in Britain's MOJO and the Guardian named it a Top 10 Best Country Music Album. Tami's songs appeared on the Netflix series Wanted and the terrestrial TV series Nashville. Tami Neilson's singing and writing is too big to contain, as HMV Canada noted: 'There are singers and then there is Tami Neilson, for whom the word singer just isn't big enough.' The road has now led to CHICKABOOM!, which is something different again, and even more personal. 'In the past year, I started to notice something,' she says. 'The artists I would spend time with backstage at festivals, the ones I gravitated to the most and followed on social media ... artists like the Secret Sisters, Shovels & Rope, Kasey Chambers, Brandi Carlile ... they all had family performing with them. When you tour away from loved ones, it makes a world of difference to have part of your village with you on the road. Not to mention, nothing can come close to that special blend of blood harmonies and silent communication that only comes from being onstage with a person for over 30 years. Family has always been a huge part my music-writing, recording and creating with me, but I wanted family on this project and on the road with me again.' Brother Jay flew to Auckland, New Zealand from Toronto to record a selection of new songs that have unmistakable sibling magic and harmonies. 'I don't think he quite understands what he's gotten himself into but now the album's coming out it's a bit too late. Sucker,' she laughs. And if you've missed Tami before ' on record or in concert ' then you are in for a treat ... and you might not quite understand what you've gotten yourself into either. As we say: you'll never forget the first time you saw Tami.
The sophomore full-length from Post Animal, Forward Motion Godyssey unfolds with a frenetic momentum, mercurial and unhinged and gloriously volatile. In a bold leap forward both artistically and sonically, the Chicago-based alt-prog band sets their existential questioning to a wildly kinetic sound, mining inspiration from genres as divergent as electronic and psych-rock and—at one particularly sublime point—achieving both stoner-metal brutishness and dreamy R&B elegance in the very same instant. At turns rhapsodic and unsettling, meditative and chaotic, the result is anything but subtle: a body of work that beckons deep involvement from the listener, a richly layered experience primed to leave its audience indelibly transported.
Originally released in the UK on 15th February, 1980 ‘ALABAMA SONG’ was initially written as a poem by Bertolt Brecht in 1925 and was put to music by Kurt Weill for the 1927 play Little Mahogany. David Bowie was a longstanding Brecht fan and included the song in the setlist for his 1978 Isolar II tour.
The studio version of ‘ALABAMA SONG’ on the A-side of this release was recorded on July 2nd 1978, the day after the final show of the European leg of the tour, at Tony Visconti’s Good Earth Studios in Soho, London.
The AA-Side features two previously unreleased tracks;A rendition of “Heroes” track ‘JOE THE LION’ recorded at the soundcheck of the tour’s final Earls Court show on the 1st July 1978. Though rehearsed for the Isolar II tour ‘JOE THE LION’ would not make its live debut until the Serious Moonlight tour of 1983.
The second track on the AA-side is a live version of ‘ALABAMA SONG’ also recorded July 1st 1978—a different performance than the one featured on the live album Welcome To The Blackout.
New York band The Men have always been genre-morphic and unpredictable, but on their eighth album Mercy they have truly done something new as a band. For the first time since forming, they have now created three straight records with the same lineup, and the result is a sound that feels developed and continuous despite running the gamut of mood, in true Men fashion. Having this lineup stability has allowed the band to deepen and finesse the sounds they were exploring on 2017's Drift and produce tracks that have a unique and distinct voice. Mercy was recorded live at Serious Business studio to 2" tape with Travis Harrison. The band did minimal overdubs, contributing to the urgent feel of the recording. The album is simply the sound of a band that has a deep and unjaded passion for songwriting and creation, working at the peak of their collaborative connection. Founding guitarist and vocalist Nick Chiericozzi described the band's process by way of an anecdote borrowed from Jeff Daniels about his time working with Robert Altman: "Daniels said, 'Altman will tell you, 'Now walk through that doorway,' but what he doesn't tell you is that he's got three people walking through the door from the other direction.' Doesn't that sound like a Men record? We've got 'Children All Over the World' saying hello to something like 'Fallin' Thru'. Mercy has a place next to Drift and it's now a distant neighbor to New Moon, Devil Music and the others. It's a wholly contained universe that shares the ash, the birth and the memory; the things motion takes with you after bumping into someone. We hope you enjoy the record and what it brings." Mercy takes the listener on a cinematic journey throughout it's seven tracks, beginning with the soothing but lonesome country rock opener "Cool Water." This track, like many on the record, feels timeless, illustrating the band's ability to write songs you are convinced you've heard before on the B-side of your favorite record from the '70s. You are then pulled into it's longest song, the 10-and-a-half minute psychedelic blues rock opus of "Wading in Dirty Water." The band explore some new territory on Mercy, and they also revisit the Suicide-style sound they have been working on for a while through Drift and also with one of their side projects Dream Police, resulting in the highlight "Children All Over the World," a song that could stand next to any classic rock hit but with The Men's unique artistic savvy. It wouldn't be a contemporary Men record without a total fuzzed-out stomper a la their Open Your Heart-era sound, and this record's offering, "In the Breeze," shows the band's complete command of this urgent and pulverizing style.
The 3X Grammy nominated trio, Highly Suspect, returns with their third studio album,MCID. The genre-transcending body of work features Young Thug, Tee Grizzley, Gojira and Conor Mason from Nothing But Thieves. MCIDis a manifesto narrated byfrontman, JohnnyStevens. The album centers around themes of self-loathing, body image issues, a sprinkle of anti-Trump, false social media worship, heartbreak, and hope.
Produced by Ethan Johns (Paul McCartney, Michael Kiwanuka, Laura Marling, Ray LaMontagne, Kings of Leon, Counting Crows, etc.) 2018 Americana UK Album of the Year Winner 2016 Americana UK Bob Harris Emerging Talent of the Year Winner
The Weeknd's latest chapter, After Hours which features the global hits "Heartless" and "Blinding Lights" is due to release on March 20th, via XO/Republic Records. Filtering R&B, pop, and hip-hop through an ambitious widescreen lens, quietly took over popular music and culture on his own terms. As a result, the multi-platinum two-time GRAMMY® Award winner has emerged as one of the most successful and significant artists of the 21st century.
Conan Gray announces his highly anticipated debut album Kid Krow, releasing on March 20th, 2020 via Republic Records. Gray recently wrapped up his headlining tour with three sold out nights at The Fonda in Los Angeles. Having sold over 65,000 tickets over his first two headline tours, Conan has quickly built an undeniable fan base. Kid Krow features the hit single "Maniac" which has already amassed over 110K in Global Consumption!
Produced by longtime collaborator Dan Horne (Circles Around The Sun, Allah-Las), Mapache's new album, From Liberty Street, captures the Los Angeles duo at their finest, with Sam Blasucci and Clay Finch weaving airtight harmonies around stripped-down, organic arrangements that blur the lines between traditional folk and modern cosmic country. The songs here reckon with longing, desire,and change, and the arrangements draw on everything from Hawaiian-steeped surf and Mexican boleros (Blasucci spent two years living South of the border) to Bakersfield twang and lonesome cowboy campfire tunes, all delivered with the kind of easy going charm and natural intuition usually reserved for blood brothers or married couples. It's an instantly engaging chemistry the two share, a captivating musical bond that mirrors the comfort, closeness, and camaraderie of the album's homespun roots.
'This record is about as close to the sound of home as you can get,' says Blasucci. 'We recorded it with a bunch of our friends in the house where we were living in a neighborhood that we loved. The studio was right downstairs, so we had the freedom to try all kinds of new ideas without any pressure or limitations. All the other folks who lived in the house were musicians, too, so it made for this communal atmosphere where everyone was always collaborating and creating together. 'The First Edition LP and CD of From Liberty Street includes a free Mapache air freshener in the packaging! Plus, the First Edition LP arrives on limited edition yellow vinyl!
In their first collaboration, Brian and Roger Eno present an anthology of sonic inspiration. ‘Mixing Colours’ invites listeners into a prismatic world of calm contemplation. Based on a series of deliberately abstract colours, the innovative brothers evolved the new recording into a unique collection over the years. Their creative DG debut will reach an audience still unfamiliar with their artistry. The poetic set spotlights two celebrated ambient musicians at the height of their artistry.
Hot Mulligan writes songs for people to sing as loud as possible. Their music is the cathartic outcry for growth from a generation of forward-thinking Midwesterners caught in the gears of a rusted system in desperate need ofhope. The members -Tades Sanville, Chris Freeman, Ryan Malicsi, Garrett "Sniff" Willig, andBrandon Blakeley -use songwriting to explore the lessons they've learned from lives lead in the pursuit of dreams with full awareness of the cost.
‘The Early Years 79-81’ box set represents the band’s first two albums, ‘On Through The Night’ (1980) and ‘High ‘N’ Dry’ (1981), and has been prepared in conjunction with singer Joe Elliott who has acted as executive producer on the set. This set comes with 5-CDs consisting of the original albums remastered, B-sides, rarities and re-mix versions, Radio One sessions, Live from Reading and the first ever appearance of an unreleased and newly mixed show from Oxford in 1980.
‘High ‘N’ Dry’, is the first of Def Leppard’s albums to be produced by Robert ‘Mutt’ Lange and was released in 1981. It reached #38 in the US and #26 in the UK chart, further cementing the bands status. The album has been remastered for this release.
‘On Through The Night’, the band’s debut album, was released in 1980 and immediately put the rock world on notice. The band were destined for big things with the album charting at #15 in the UK and #51 in the US. Produced by Tom Allom (Judas Priest, Black Sabbath), it featured many of the band’s live favorites and some updated versions of early singles. The album achieved platinum status in 1989 and has been remastered for this release.
Following in the footsteps of Oasis and the Verve, Embrace became a pop sensation in post-Brit-pop Britain, breaking through in the late ‘90s. This pressing represents the first reissue of their third album, If You’ve Never Been.Featuring the UK Top 40 hit singles “Wonder” and “Make It Last,” the album showed a dramatic shift in direction from their earlier rockier sound, displaying their versatility in a thoughtful, tender approach to the body of work. The vinyl format has been long out-of-print since its original 2001 release, making this in-demand for collectors and fans alike.
Following in the footsteps of Oasis and the Verve, Embrace became a pop sensation in post-Brit-pop Britain, breaking through in the late ‘90s. This pressing represents the first reissue of their influential 2000 sophomore album, Drawn From Memories. The vinyl format has been long out-of-print, making this in-demand for collectors and fans alike. Upon its initial release, NME proclaimed "[The album] trawls emotional depths, plays to its strengths, comforts and encourages, strong in the knowledge that sometimes the good really will out.”
The Ripple Effect is a follow up to the award-winning, critically acclaimed Throw Down Your Heart sessions, recorded during the duo's 2009 tour. Throw Down Your Heart was produced and recorded by world-renowned banjoist Béla Fleck, documenting his journey across Africa to research the origins of the banjo. This new The Ripple Effect collection offers previously unreleased recordings from Fleck and virtuoso kora player Toumani Diabaté.
The award-winning documentary and recordings, Throw Down Your Heart, were produced and recorded by Béla Fleck, documenting his journey across Africa to research the origins of the banjo. This deluxe edition offers a complete disc of previously unreleased material from Fleck performing with virtuoso kora player Toumani Diabaté. The DVD includes 1-hour of bonus video material with 14 never-before-heard performances, new commentary by Fleck and director Sascha Paladino with behind-the-scenes insights. The set also offers an expanded essay by Fleck and new notes by Paladino.
Follow-up album to his highest U.S. debut album “California Son” which debuted at # 7 on the charts. New album produced by Joe Chiccarelli (Spoon, The Shins, My Morning Jacket). Recorded in St-remy, France.
Hailed as one of the 50 best ambient albums of all time by Pitchfork, Vernal Equinox was the first commercially released work by Jon Hassell, originally put out by Lovely Music in 1977. It is also the debut of a pioneering new form of music that would become known as 'fourth world': a subtle blend of field recordings, electric jazz, ambience and global music influences. Hassell's trademark FX-soaked trumpet is carefully embellished by a studio ensemble including the master Brazilian percussionist Naná Vasconcelos and David Rosenboom on synth. The result is a quiet, meditative and highly original work of outstanding beauty.
Brighton's Wax Machine are a band so steeped in the kernel of psychedelic seep that there's every indication they may have slipped through a side door in space-time and sprouted anew a few years back on the UK coast. On Earthsong of Silence, their eclecticism incorporates Spiritual Jazz, Krautrock, Tropicália and Library Music, borrowing from dreams and trances to give life to a psychedelic experience that feels hauntingly familiar, yet strikingly new. They pick up right where their last EP's title track, 'Mind Palace,' left them 'growing into the mossy eiderdown of the English countryside, delightfully dosed and drenched in the sun that filters through the trees. The flutes, wandering guitars, and jazz touches come rising through the mists with a guiding hand from Kikagaku Moyo's Go Kurasawa behind the boards. With Earthsong, they add a new dimension to their sound, further exploring both their English psych-folk roots and mining a deeper appreciation for a West Coast sound dipped in sun, peace and serenity.
From the warped mind of Primus frontman comes the release of Colonel Les Claypool s Fearless Flying Frog Brigade s Live at the Great American Music Hall. This two set, 12-track collection was recorded live over two nights in San Francisco. Set 1 includes five Claypool originals bookended by superb King Crimson and Pink Floyd covers, while Set 2 is comprised of an unabridged performance of Pink Floyd s legendary 1977 concept album, Animals.
Circles is the sixth and final studio album by Mac Miller. Conceived as a sister album to 2018's full length Swimming, the album was completed with the assistance of Jon Brion, with whom Miller worked on Swimming and had been working together on Circles at the time of his passing. While sonically distinctly different than its predecessor, Circles features many of the hallmarks for which Swimming was critically-acclaimed upon its release -- Miller further realizing his singing voice in addition to rapping, live instrumentation and earnest, confessional lyrical content. Listeners will hear shades of some of the album's influences in its songs, from the T-Rex guitar tone of "Surf" to the Plastic Ono Band-era John Lennon feel of its production and the inspired cover of Arthur Lee's 1972 single "Everybody's Gotta Live." It's a momentous final entry into the discography of an artist that remains at the center of reimagining the limits of rap.
Here comes SUPERSTAR the bigger, badder, glitter-driven record by Caroline Rose. Written as a sequel to 2018's LONER, the forthcoming 2020 release 'plays out like an epic movie about the pursuit of fame and fortune,' Rose states. 'I've always been fascinated by this pursuit, but what's even more fascinating is what happens when it fails.' Indeed, gone are the successful Hollywood hunks and starlets of old. SUPERSTAR chronicles a quirky anti-hero, who after receiving a wrong call from the elite hotel Chateau Marmont, decides to leave their old life behind in order to become a big Hollywood star.
Few artists understand the human condition like 6-time Grammy nominee Brandy Clark. Working again with acclaimed producer Jay Joyce, Your Life is a Record takes her unerring eye for detail and a genre-melting sense of melody to examine personal truths, revelations and emancipations with wit, grace and compassion. Working with just four acoustic-based musicians, intimacy was the goal. Memphis strings and horns, guest appearances from Randy Newman (“Bigger Boat”) and guitarist John Osborne color in the sketches – creating a depth to what is easily Clark’s most revelatory record yet
Emmy-, Grammy- and Golden Globe-nominated actress, singer, and songwriter, Mandy Moore returns to music with her first album in a decade, Silver Landings. In a purposeful departure from the more tightly structured pop of her previous material, she's worked closely with long-time collaborator and producer Mike Viola and with her husband, Taylor Goldsmith (singer/guitarist/songwriter for L.A.-based folk-rock band Dawes), creating the album's lyrics on her own and recording each song live with a full band setup. The album deftly moves from 70s inspired soft-rock (When I Wasn’t Watching, I’d Rather Lose) to contemporary pop (Save A Little For Yourself, Tryin’ My Best, Los Angeles). “I wanted to make a California-inspired record, something that feels airy and natural”, says Moore.
Moore looks forward to embarking on the next chapter of her music career with a newfound sense of agency. “I very much feel like I'm at the helm of the ship now, where I'm stepping back into music completely on my own terms,” she says. “Everything that's happened up until this point has gotten me to where I am today, and I'm so excited to just keep moving forward.”
Vinyl LP pressing. 2020 release. Born from the DIY/all-ages scene in New York, Thick make music with the raw defiance of punk and addictive melodies of pop, punchy and catchy and wildly tongue-in-cheek. With their live show typically spawning a mosh pit described by Stereogum as "more like an aggressive hug," the Brooklyn-based trio brings an unchecked intimacy while building a deep and unshakable solidarity with the audience.
Overcoats’ second full-length album The Fight is a ten song battle cry. However, Hana Elion and JJ Mitchell's vision is not about picking up arms, but rather picking yourself up. The New York-natives’ debut for Loma Vista Recordings is a spectrum of sonic outbursts designed to empower and uplift. With The Fight, Overcoats buck trends, overturn expectations, and crank out a unique brand sticky sweet pop subversion tightened up to Swedish standards under a Seattle grunge haze.
Double clear vinyl LP pressing in gatefold jacket. 2020 release, the debut album from Lauv, the Platinum-certified independent singer, songwriter, producer, and pop visionary. Featuring hits including "I'm So Tired..." and "Fuck, I'm Lonely". As one of the most successful independent artists of the last decade, with over three billion streams to date and widespread acclaim from Rolling Stone to The New York Times, Lauv continues to shatter the mold of what a mainstream global pop star is.
Lauded as an experimental, alternative band that's never been married to one genre, Phantogram-comprised of lifelong friends Josh Carter and Sarah Barthel-challenge the zeitgeist with their signature blend of hard-hitting beats, guitar-driven dark psychedelia and electronic pop. On March 6th they will release highly anticipated fourth studio album, Ceremony, which marks a rebirth and embodies a dark but hopeful chapter for the duo. Features recent singles "In A Spiral" and "Into Happiness".
NCT 127's 2nd full length album `NCT #127 Neo Zone' will be released on March 6th with 13 tracks expressing NCT 127's unique music color. The album's exclusive title `Neo Zone' builds high expectation while implying a brand-new introduction to NCT 127's music world.The album includes 1 Photo book, 1 lyric book, 1 postcard, 1 folded poster (initial only), 1 sticker, 1 circle card (random 1 out of 9), and 1 photo card (random 1 out of 9).
Green Leaf Rustlers features Chris Robinson, Barry Sless, Greg Loiacono, Pete Sears and John Molo. The quintet serves as a musical jukebox of sorts, performing outlaw country and country rock classics by Waylon Jennings, JJ Cale, The Byrds and more. From Within Marin contains such covers as Gram Parsons’ “Big Mouth Blues,” The Rolling Stones’ “No Expectations,” Cale’s “Ride Me High” and Arthur “Big Boy” Crudup’s “That’s Alright Mama.
Disq have assembled a razor-sharp, teetering-on-the-edge-of-chaos melange of sounds, experiences, memories, and influences. Due out March 6 on Saddle Creek, Collector ought to be taken literally—it is a place to explore and catalogue the Madison, Wisconsin band’s relationships to themselves, their pasts, and the world beyond the American Midwest as they careen from their teens into their 20s. This turbulence is backdropped by gnarled power pop, anxious post-punk, warm psych-folk, and hectic, formless, tongue-in-cheek indie rock.
Collector, like the band itself, is defined and tightly-contoured by the ties between the five members. Raina Bock (bass/vocals) and Isaac deBroux-Slone (guitar/vocals) have known each other from infancy, growing up and into music together. Through gigging around Madison, they met and befriended Shannon Connor (guitar/keys/vocals), Logan Severson (guitar/vocals), and Brendan Manley (drums)—three equally dedicated and adventurous musicians committed to coaxing genre boundaries.
Produced by Rob Schnapf, Collector is a set of songs largely pulled from each of the five members’ demo piles over the years. They’re organic representations of each moment in time, gathered together to tell a mixtape-story of growing up in 21st century America. The songs are marked by urgency, introspection, tongue-in-cheek nihilism, and a shrewd under- standing of pop and rock structures and their corollaries—as well as a keen desire to dialogue with and upset them.
Recorded live at Montreal's acclaimed studio Hotel 2 Tango and featuring 20 odd session musicians, Heavy Light is an architectural achievement for an artist whose career began with a 4 track tape recorder and a Greyhound bus pass. Following the subversive sheen of 2018's In A Poem Unlimited, Remy has taken a deeply introspective about-face to produce a set of mindful compositions on hindsight, the passage of time, the delicate balance of the conscious and the unconscious, and the pursuit of a radical empathy.
Remy worked with co-writers Basia Bulat and Rich Morel to develop the core of Heavy Light, a set of songs conceived as a richly arranged balance between orchestral percussion (as arranged by percussionist Ed Squires) and the human voice. In studio, group harmony vocals were undertaken by a cast of diverse singers (conducted by Kritty Uranowski) who lent not only their voices, but also shared reflections on childhood experience. These memories were prompted by Remy in recorded interviews she later collaged into moving spoken word interludes, stitching together the record's thematic tapestry. The songs themselves provide a sonic departure from those featured on Poem. With arrangements collaboratively spearheaded, the production features no trap kit drums, but a cornucopia of acoustic frequency from vibes, marimbas, piano and upright bass. The resulting album finds Remy casting herself as lead voice among a harmonious multitude.
Steep Canyon Rangers are Asheville, North Carolina's GRAMMY winners, perennial Billboard chart-toppers, and frequent collaborators of the renowned banjoist (and occasional comedian) Steve Martin. The Rangers can now add their hometown Asheville Symphony to their long list of musical companions on the new album Be Still Moses. Each track on Be Still Moses features the Rangers and symphony breathing new life into signature Steep Canyon Rangers songs through newly inspired orchestral arrangements.The album's title track features what is perhaps their most singular musical partnership to date ' Steep Canyon Rangers teaming with not only the Asheville Symphony, but also Philadelphia soul legends Boyz II Men to completely overhaul the Rangers' original 'Be Still Moses,' which was first recorded on their 2007 breakout album Lovin' Pretty Women. The collaboration was recognized for its 'sublime harmonies and soulful ad-libs by Rolling Stone and resulted in both the Rangers and Boyz II Men performing the song live together in October 2019. The First Edition LP arrives on translucent blue vinyl.
In March, Third Man Records will be releasing a live album recorded at the Third Man Detroit location from Motor City's sweetest psych-folk groovers, Bonny Doon. Hot off the heels of their Woodsist Records album "Longwave," this live LP features beautiful live takes from their full discography.
‘Teenage Snuff Film’ was the long awaited first solo album recorded and released by Rowland S.Howard in 1999. Rowland recorded the album at the Birdland & Sing Sing recording studios in Melbourne with longtime colleague and collaborator Mick Harvey contributing drums, organ and guitar and Brian Hooper on bass. The album was produced by Lindsay Gravina and engineered by James Mason & Jade Martin, and released to critical acclaim both here in Australia and internationally.
‘Teenage Snuff Film’ featured 8 original songs; ‘Dead Radio’, ‘Breakdown (and then...)’, ‘I Burnt Your Clothes’, ‘Exit Everything’, ‘Silver Chain’, ‘Undone’, ‘Autoluminescent’, ‘Sleep Alone’ and 2 cover versions; ‘White Wedding’ (Billy Idol) and ‘She Cried’ (The Shangri-Las).
Fat Possum Records are set to release a limited edition double vinyl set of the long out of print ‘Teenage Snuff Film’. This record is highly sought after by collectors, with rare copies appearing on eBay selling for huge $ amounts.
- Pressed on 180 g black vinyl
- 3 sided double album, with Side D featuring an etching of a Rowland illustration
- Brand new vinyl remaster from the original tapes October 2019 by Lindsay Gravina, who produced the album in 1999
Limited edition mint green colored vinyl, individually numbered with gold foil stamp, single LP, includes digital download. Banjo virtuoso Danny Barnes announces his new album Man On Fire, due out March 6 on ATO Records. The record was executive produced by Dave Matthews and finds Barnes collaborating with musical legends including Led Zeppelin's John Paul Jones on bass & mandolin, Bill Frisell on guitar & Matt Chamberlain on percussion.
From the first second of Kandace Springs' new album — as those warm, hand-plucked bass notes fill the air — you know you've arrived at something different. And once she starts singing, well, it's pretty clear The Women Who Raised Me exists apart from the normal rules that govern space, time, and talent. While 2018's Indigo LP found the Nashville singer-pianist using modern production to bend sound into new genre forms in collaboration with Karriem Riggins, this set adheres sonically to jazz while Springs travels back and forth across a near-century of music. While the feel is as rich and complex as our host's voice, the concept is simple. Springs covers the women who inspired her while she was growing up, putting her own spin on songs associated with a dozen of the greatest female vocalists of all-time: Ella Fitzgerald, Roberta Flack, Astrud Gilberto, Lauryn Hill, Billie Holiday, Norah Jones, Diana Krall, Carmen McRae, Bonnie Raitt, Sade, Nina Simone, and Dusty Springfield.
In 2014, Dan Snaith aka Caribou released Our Love to overwhelming critical acclaim. Caribou returns now with his new studio album Suddenly, a warm, untamable, and constantly surprising record about family and the changes we go through as those relationships evolve. Most prominently, Suddenly refers to the moments of dramatic and unexpected change that occur at points in any life and within any family-universal themes that can catch you off guard and change your life in a heartbeat. Those dramatic moments are part of a slower process. These moments rear their heads, for good or bad, during the everyday flow of life. "There's a tension between those sudden things which blindside you and the more glacial, gradual day-to-day changes," he observes. "We are so caught up in the immediate-the details that require our attention every day-that we can be blind to the bigger forces shaping us. That's why so often when something drastic happens suddenly, it catalyzes all sorts of changes in our lives. Our perspective shifts." Suddenly is in the music, too. This is the most surprising and unpredictable Caribou album to date. Though it retains the trademark Caribou warmth and technicolor, this album is littered with swerves and left turns. "I wanted to balance the familiar-the sound that people associate with my music-against these moments of surprise," Snaith says. As his passion and joy in music-making remains as fresh as ever, Suddenly is the purest example of this yet.
Double vinyl LP pressing in gatefold jacket. 2020 release, the eighth album from hard-hitting rockers Five Finger Death Punch. The album was produced by Kevin Churko, the Canadian record producer/engineer and songwriter who currently lives in Las Vegas, where he works out of his private studio, The Hideout Recording Studio. Includes "Inside Out".
For Sophie Allison, aka Soccer Mommy, color theory confronts the ongoing mental health and familial trials that have long-plagued her, presenting listeners with an uncompromisingly honest self-portrait. The new album’s sonic landscape is vast and dexterous, with melodies that shimmer on the surface, but reveal an unsettling darkness with each listen.
As we age, we face obstacles that are beyond our control. Some forces are internal: insecurity, anxiety, fear. Some are external: the loss of loved ones, an unjust system and the fragility of time. Yet the mark of maturity is how you respond when you realize you’re not in control. Where do you find your resilience?
This album is a reflection of us coming to terms with how to find our power in the face of an unfair world. These songs lead listeners past “where happy man searches, to a place only mad women know.” We question our purpose, our relationships, our faith. Trading the fears of our youth for the dread that rages within us as mature women.
With SATURN RETURN, our hope is that women can feel less alone in their journey through the modern world. We need each other more than we ever have; the less competition and the more inclusiveness and understanding, the better. We are southern women in the 21st century, convicted by our beliefs.
Over the last decade, Real Estate have crafted warm yet meticulous pop-minded music, specializing in soaring melodies that are sentimentally evocative and unmistakably their own. The Main Thing dives further into the musical dichotomies they're known for'lilting, bright guitar lines set against emotionally nuanced lyrics, complex arrangements conveyed breezily. What emerges is a superlative collection of interrogative songs as full of depth, strangeness and contradictions as they are lifting hooks.
Third Man Records had the pleasure of hosting the inimitable Broken Social Scene, carefully absorbing and recording their magnetic and unforgettable live set on the Blue Room stage. Epic, panoramic, and intimate all at the same time, the legendary Toronto collective Broken Social Scene began as an ebbing and flowing collective of artists in the late 90s, collaborating to create a distinct strand of indie rock that is both perplexingly maximal and straight-up catchy.
The band kicked off the set with emotive fan favorite “Cause = Time”, then transitioning into “Stay Happy,” the lead track from 2017’s Hug of Thunder, in all it’s hypnotic, horn-driven grandeur. Then, on the flip side, the album’s 2-song B-side wraps with the slow-build anthem “It’s All Gonna Break,” a song once described as “Bob Seger on acid.” Really, how else would you want a show to close?
Their live set was captured, mixed and mastered in real time via the world’s only live venue and direct-to-acetate lathe cutting studio. With the release of this live album, Third Man is very excited to invite all to be a part of this special experience, Broken Social Scene’s first commercially available live album, in the only venue in the world where performance, art and tactile transcription methodologies converge.
With a hugely impressive 1.3 million combined album sales under their belt, Tycho are the two-time Grammy nominated electronic music project led by Scott Hansen as primary composer, songwriter and producer. Respected for both their musical output and Scott’s graphic design work, under the ISO50 moniker, Tycho has produced and released a hugely successful back catalogue which has drawn comparisons to the likes of Boards of Canada (“To get a sense of their sound, think the same kind of detail-oriented work and continuity of style that made Boards of Canada and Ulrich Schnauss revered artists in their field.” - Exclaim!) and resulted in a 2017 and 2020 Grammy nomination for Best Dance/Electronic Album for ‘Epoch’ and ‘Weather’, respectively.
‘Simulcast’ follows Tycho’s studio album ‘Weather’ and features highly anticipated instrumental versions of ‘Weather’ albums tracks, previously vocal-led by singer-songwriter Saint Sinner. Tycho have gone back to the studio and recorded alternative versions of those original recordings, creating new material from those much loved tracks, while taking a bold step towards their classic sound. This is an unmissable release for any Tycho fan. ‘Simulcast’ will be available on Mom + Pop Music in the US and Ninja Tune worldwide.
For the entirety of her nearly three-decade-long career, globally acclaimed singer-songwriter Lisa Loeb has been exploring a variety of styles of music, moving seamlessly between creating family-friendly albums, including her 2018 Grammy-winning Feel What U Feel, and adult-focused studio albums like Tails, Firecracker, and The Way It Really Is. It is her latest release, her fifteenth record to date, A Simple Trick To Happiness, that finds Loeb putting forth her most poignant and profoundly personal album in an exceptional body of work.
Angelica Garcia‘s new album is here. It’s called Cha Cha Palace and will be here on February 28th, 2020. Today, you can hear the dynamic new single “Guadalupe” and watch the Spencer Ford (Brockhampton)-directed video. Referencing La Virgen de Guadalupe (a Catholic icon of the Latinx community), “Guadalupe” is a meditation on the deity as a powerful 14 year-old who is the epicenter of a culture—and the responsibility that comes along with that. The announcement comes on the heels of an exciting beginning to the year, which included a co-sign from President Barack Obama and inclusion in The New York Times’ ‘Things Our Critics Are Looking Forward To’ list and ‘Best Songs of 2019’.
Recorded at the legendary Fame Studios in Muscle Shoals. Includes the new song “Bitter End”, a cover of the Bee Gees classic “To Love Somebody”, and a re-imagining of their hit single “Wish I Knew You”.
Look - if you weren't freaking out with a scrawny young Juiceboxxx at a basement show in Milwaukee when he was 15, or following his bizarre stint opening for Public Enemy in Canada a decade ago, or there for the launch of his Thunder Zone Energy Drink, or his recent champion stint on Las Vegas alt-rock radio, these are years of missed fandom you will never get back. (God knows he won't get those years back either.)But it's not too late to never forget this legendary, all-American, DIY-music lifer who against all odds keeps moving forward and confounding expectations."Coinstar Song," out May 10, is the lead single from Juiceboxxx's forthcoming new album via Dangerbird Records. Listening, or some other time when you're silently breaking down at your office desk, you might ask yourself: What is this life? Why??!? What do I get out of bed for? The answer might be in "Coinstar Song," which is somehow both soul-crushing and supremely motivational. We are here to move forward, to persist, to grind what we grind until it's deadly sharp.And if the answer to life's pressing questions isn't in "Coinstar Song," you go on looking for it. That's what the man who has maintained this deranged moniker since he was a teenager teaches us. Because if there's one thing to know about Juiceboxxx, it's that he never surrenders. "Did I mess up my life?" he asks at one point. Probably, but what else is there to do.
On his sophomore album, Full Hand, Indiana musician Kevin Krauter tackles complicated emotional states and ideas through elliptical songwriting that is at once poetic and truthful. "A lot of the lyrics touch on how I was raised religiously, touch on me understanding my sexuality more and more in recent years," Krauter says, "just growing up and becoming more confident in myself...that process of looking inward and taking stock of myself." It’s not especially uncommon for artists to probe deep into their own psyche to uncover what makes them tic, but Krauter’s light touch feels like something all his own. On the album’s first single, "Pretty Boy," he sings, "Look ahead, say I see me now / Smiling at what used to stress me out / Cause it won’t be too long, but I’ll take my time with it / It won’t be too long till I come back home." There’s a palpable sense of joy in Krauter’s acceptance of dire, stressful moments, and a liberation that comes from hearing him realize that the present will eventually be the past, and he’ll be able to look back and find peace.
Stockholm, Sweden based HOLY aka Hannes Ferm is back with his third record Ryder, a massive step forward for the young artist. After 2018's hugely ambitious three-years-in-the-making glam-psych odyssey All These Worlds Are Yours which was released to acclaim from the likes of Consequence of Sound, Bandcamp Daily, Prog Magazine, The Line of Best Fit and more, Ferm decided to take a step in the opposite direction. Teaming up with producer Jacob Haage (El Perro Del Mar) for Ryder, Ferm's delivered an intimate synth pop record melding experimentation with conventional pop songwriting and again showcasing his ear for melodies, breaking new ground while still staying true to playfulness and immediacy that's been HOLY's signature from the start.
One of the greatest jazz innovators of all time, alto saxophonist and composer Charlie Parker (b. August 29, 1920) is one of the few musicians who can be said to have permanently changed jazz. A leading figure in the development of bebop, Parker (also known as “Bird”) left an enormous musical legacy in his short 34 years of life, and his vast influence extends to other forms of art, such as dance, literature, visual arts and film. As part of Bird’s centennial celebration in 2020, Craft Recordings presents The Savoy 10-Inch LP Collection, a deluxe box set including four 10-inch LPs cut from newly restored and remastered audio. The collection highlights Bird’s pioneering bebop recordings for Savoy Records from 1944–1948, featuring jazz legends Miles Davis, Dizzy Gillespie, John Lewis, Bud Powell, Max Roach and more. The package includes faithfully restored original album artwork, plus a booklet containing vintage photos, rare ephemera and new liner notes by GRAMMY®-winning author Neil Tesser. The complete set will also be released digitally.
SremmLife is the group's 2014 debut album. Produced primarily by Mike Will Made It and A+, the album spawned five hit singles, including the smash "No Flex Zone", and "No Type." The 2LP version of SremmLife will be released on translucent red 180-gram vinyl in a gatefold configuration, the first time the release will be cut on a 2-disc vinyl configuration.
It takes an extraordinary artist to re-imagine some of the most beloved songs of the 20th century and make them completely their own. And that's precisely what James Taylor has accomplished with his brand-new album, American Standard. Recalling the best of James' early work, he infuses new sounds and fresh meaning into these timeless works of art. While these 14 carefully chosen interpretations naturally feature James' warm, one-of-a-kind vocal ability and incomparable musicianship, what makes this collection so unique is the inventive way James and his fellow co-producers, longtime collaborator Dave O'Donnell and famed musician John Pizzarelli, approached the project. Unlike most who have tackled similar material, American Standard's beautifully simple, stripped-down arrangements are based on James' skillful acoustic guitar work rather than piano and the affect is mesmerizing.
Hank Mobley, famously called the "middleweight champion of the tenor saxophone", had a round sound and an incredible rhythmic lightness. This remarkable 1957 session features a stunning cast of bop giants, including Art Farmer, Pepper Adams, Sonny Clark and more. "East of Brooklyn", a highlight on the album, is a masterpiece of lyrical construction. Part of the Blue Note Tone Poet Audiophile Vinyl Reissue Series, this 180g vinyl features all-analog, remastered audio in deluxe gatefold packaging.
Stanley Turrentine is at his blues-drenched best on Comin' Your Way. This 1961 session features the magnificent rhythm section of the Horace Parlan Trio (Horace Parlan, George Trucker & Al Harewood) at the peak of their collective power. Also featured is Tommy Turrentine on trumpet, contributing his strong Fats Navarro influence. Part of the Blue Note Tone Poet Audiophile Vinyl Reissue Series, this 180g vinyl features all-analog, remastered audio in deluxe gatefold packaging.
Free Your Mind is about living as the best version of yourself. Showing up fully for yourself and for those you love. Getting clear about what you want and working towards it. Being grateful for all you've been given and using that gratitude to spread positivity. Big Gigantic have enlisted a group of featured artists for the album, including Ashe, Louis Futon, The Funk Hunters, Pell, TOBi, Pell, Nevve and Jennifer Hartswick. The band will be doing a full 3D immersive tour in 2020, with stops in Austin, Detroit, DC, Atlanta, New Orleans and more. They will also bring their annual Rowdytown festival to The Shrine in Los Angeles, The Greek Theatre in Berkeley and The Brooklyn Mirage.
Grimes started producing music when she had to learn the program Logic for her neuroscience class. Shortly thereafter she had a viral myspace page, which allowed her to start booking shows and focus full-time on music. She lived in a crack den in Montreal with no heat (where she got frostbite twice and her neighbor was bludgeoned to death in the hallway), playing raves until her 2012 breakout, Visions, which was recorded during a 2 week speed binge wherein she did not leave her bedroom. Upon the success of this album, Grimes attempted to enter society as a regular human, which has clearly not gone super well but has nonetheless been entertaining. She’s since become an award winning music video director as well as a music writer, producer, engineer, singer-songwriter. She’s toured globally to sold out crowds, headlined festivals, and is now moving into the space of corporate surrealism. She recently had experimental eye surgery only available to the upper class. She is putting out her final earth album February 21st 2020.
2020 sees the release of Always Tomorrow, the hotly anticipated new album from Best Coast. Inspired by the 70s, the LA based duo expand their signature indie pop sound into a harmonic blend of melodic guitars and keyboards as warm and refreshing as a California breeze. Multi-instrumentalist Bobb Bruno, along with the irrepressible Bethany Cosentino, combine to bring her masterful storytelling to new heights, crafting their most eloquent and reflective album to date. It’s the Best Coast you know and love at an entirely new level.
Norwegian indie rock band Sløtface deliver a powerful sophomore record in "Sorry for the late reply". Fierce yet melodic, the album takes on everything from break ups to climate change and lead vocalist Haley Shea's immigrant experience.
On October 22nd Courtney Barnett performed a unique and special show at the invitation of MTV Australia in her hometown of Melbourne. The “Unplugged” performance features Barnett as you’ve never heard her before, warm, vulnerable and emotional. Under a garland of lights and a canopy of florals in the outdoor courtyard of Howler, Barnett performed a stirring set of eight songs to an intimate audience including “Depreston”, “Avant Gardener” and “Sunday Roast." Joined by her usual band Dave Mudie and Bones Sloane, she also enlisted cellist Lucy Waldron. MTV Australia Unplugged Live in Melbourne will be released physically on February 21.
This is the Ozzman’s first album in 10 years and with his recent appearance on the Post Malone track “Take What You Want” as well as his single “Under The Graveyard” which has now been #1 at Active Rock for five weeks and #1 at Classic Rock for nine weeks we are poised to have a massive return to the marketplace. Some of the announced features include longtime guitarist Zakk Wylde, Slash & Duff McKagan (GNR), Chad Smith of the RHCP, and Post Malone guitarist / producer Andrew Watt. There are additional big name features that have yet to be announced.
Photo Book (4 versions), Lyric Book (4 versions), CD, Mini Book (4 versions), Photo Card (4 versions, Random), Postcard, Sticker, Coloring Paper (4 versions), Poster (4 versions, Limited).
All sales count towards Soundscan and the US Billboard Charts, as well as the Korean Hanteo and Gaon charts.
Packing details: Package (224*295mm) Photobook (206*277mm) LYRIC & thanks to BOOK (140* 185mm) CD 1ea MINI BOOK(THE NOTE) - 4 Version (90*127mm) PHOTOCARD 4 Version / Random / 1ea of 32ea (54*86mm) POSTCARD - 1 Version (120*80mm) STICKER PACK - 1 Version COLORING PAGES - 1 Version (140* 185mm) POSTER - 4 Version / 1ea QR code
Starting off the year with a 100-song marathon in Los Angeles on New Year's Eve, Robert Pollard is setting a mighty high bar for Guided by Voices in 2020. Following three acclaimed and stylistically distinct full-length albums in 2019, Surrender Your Poppy Field, is a head-spinning tour de force: a bit of everything... plus more! And hands down the most adventurous GBV album ever. There are lo-fi four-track tape recordings, there are songs recorded with a single microphone in a basement, there are big studio fully-produced hook-laden pop songs, and there is a lot in between. Seemingly, the guiding concept of Surrender Your Poppy Field was to make the songs sound as different from one another as possible: sudden shifts in mood, tempo and rhythm, unexpected chord progressions, false endings and codas, string orchestrations, mysterious voices... It's an exhilarating and dizzying trip to an inventive world of strange characters: Andre the Hawk, Queen Parking Lot, the Cul-de-Sac Kids, the Hard Hitter, the Steely Dodger, the Stone Cold Moron, A Man Called Physician, A Man Called Blunder...Not content with their usual mastery of the 4 P's (punk, pop, prog, psych) Professor Pollard pushes the envelope on Poppy Field, and continues to redefine GBV from a myriad of angles. Anyone who thinks that he's gotten complacent after 104 albums hasn't been paying attention! Don't miss out.
Vinyl LP pressing. 2020 debut album from New York City born, raised and forever-based songwriting partners Eliza Barry Callahan and Jack Staffen. Like New was produced by Jonathan Rado (Weyes Blood, Father John Misty, Whitney, The Lemon Twigs). The duo - who had previously captured attention releasing deft, stripped down, warm-toned pysch-pop under their names, Jack and Eliza - shifted to what naturally felt like their next musical gear. If Jack and Eliza showcased the songwriting prowess of a promising young duo (they are both still in their early twenties), then Purr let's Callahan's and Staffen's work bloom in the fertile ground of a fully realized soundscape. Purr builds upon an ageless, classic sound that at once looks at the past while leaning into their own, individual future - with Staffen's and Callahan's vocals humming at the center.
For almost a decade, Agnes Obel has been one of the most independent and original artists in contemporary music. Now she has returned with new music, releasing the enchanting single "Island Of Doom", ahead of the release of her highly anticipated new album Myopia - through Deutsche Grammophon, Universal Music Group's prestigious Yellow Label, and Blue Note in North America, out on 21 February 2021.
Every debut album represents a journey, but few have come as far or struggled so tenaciously for the chance to be heard on their own terms as Cuba's Sweet Lizzy Project. The five-piece rock band built a strong following in its native Havana with scant resources or infrastructure to support them, in a cultural setting where they could never be entirely themselves. When American roots rockers The Mavericks' lead singer Raul Malo, whose parents emigrated from Cuba in 1960, got to know the band, he sponsored them for US work visas and signed them to their record company in late 2017. The band made the bold decision to move to Nashville, where they recorded Technicolor [out 2/21] at Blackbird Studios. The feisty, infectious album draws on several eras of rock and pop, adding subtle Latin undertones. "We've been outsiders from the start," says Lisset, lead singer. "In Cuba, we were swimming against the tide by singing rock'n'roll in English. It took us time to gain respect by the institutions that would let us play our music. And then we had a chance to come here, and we're outsiders again. But that's ok. We just want to play." The band has opened dates for Heart, Joan Jett, JOHNNYSWIM, and Jamey Johnson. More touring is expected in 2020.
Like any great artist on the rise, Archy Marshall's life is moving fast. There's a lot to catch up on, after 2017's sprawling masterpiece, The OOZ, broke through amid Mercury Prize nominations and mind-blowing media plaudits. Unlike that record, Man Alive! doesn't aim to present any kind of narrative thread, or Brexit-era state- of-the-nation address, just a collection of snapshots and stories, artfully sequenced into a dazzlingly coherent whole. Man Alive! is available on CD, standard single LP black vinyl and as a limited red vinyl edition sold exclusively at independent record stores.
Vinyl LP pressing. 2020 release. Americana artist David Starr is embarking on a new musical and literary adventure with a collection of songs inspired by Of What Was, Nothing Is Left, a novel written by his grandfather in 1972. Beauty And Ruin, recorded in Nashville, is produced and arranged by John Oates and co-produced by David Starr and David Kalmusky. After working with John Oates (Hall & Oates) on his 2017 The Head And Heart EP, David approached him with the idea: what if we gave several of our favorite songwriters a copy of the book and asked them to write for a concept album based on the story? Starr and Oates collaborated with a group of incredible artists on the project, including Jim Lauderdale, Wood Newton, Dana Cooper, Doug and Telisha Williams (Wild Ponies), Irene Kelley, and Shelley Rae Korntved.
Since emerging in 2009, their first decade comprised Deceiver , Life Cycles , Real. , and Dark Matter , reaching a high watermark on Violent Noise in 2018. Bringing their total streams past 100 million, the latter included “Why Am I Like This?” and “Red Clouds” in addition to garnering acclaim from the likes of New Noise who asserted, “Their excellent and engaging Violent Noise has all the hallmarks of a band at the peak of its powers.” After a triumphant decade anniversary tour, the group once again set their sights on the future cast in fire on the 2019 single “Burning Your World Down.” Produced by Erik Ron [Panic! At The Disco, Godsmack], it teeters between synth swells, gut-punching riffs, and a hypnotic hook, igniting a new era for the band and setting the stage for their sixth full-length, "MONOMANIA". “We wanted to share "Burning Your World Down" to end 2019 because it represents both where we have been, but prepares listeners for what will be an amazing year for our band and our fans in 2020 when we unveil our sixth studio album. We didn't chase where we were, what we've made previously, what our peers had done or are doing. We stopped listening to all the outside noise, and we just focused on writing the most honest songs we could. We pushed ourselves, pushed our boundaries and we will certainly push the boundaries of what people perceive as The Word Alive. We wrote an album that will define The Word Alive, and this is just the beginning. Welcome to the new chapter of our story.” - Telle Smith - The Word Alive
With their new song ‘All Things Go’ Mighty Oaks announce their third album, set for release in 2020. The first single of the new longplayer bridges the gap between their last acoustic EP and the new chapter in their band history. A history that the Berlin based indie-folk trio comprised of Ian Hooper (US), Claudio Donzelli (Italy) and Craig Saunders (UK) began over ten years ago in a living room in the German capital and that has lead to two records (2014: Howl, 2017: Dreamers), hundreds of gigs across the world, and shared stages with the likes of Kings of Leon, The Lumineers and Chvrches.
Sonny Landreth’s new album "Blacktop Run" mixes genres and styles across a landscape of lyricism and rootsy grooves. His 3rd album for blues connaisseur label Provogue, and his 14th overall, will be released on February 21, 2020. A percussive burst of acoustic resonator guitar pushes the narrator on a journey “between the life I left and the edge of next” in the title cut of guitarist, songwriter and bandleader Sonny Landreth’s 14th album. As the singer feels the wind at his back, a rising bass line intersects Landreth's vocalizing to stretch the fingerpicked tune into Far Eastern melodicism. The south Louisiana artist's groundbreaking work has long mixed familiarity with experimentation, and his latest ten-song collection stretches from hard-edged electric instrumentals to wistful acoustic ballads. The project's range is the fruit of a renewed collaboration. Producer RS Field – who helmed Landreth's trio of breakout albums – joined the six-stringer and co-producer Tony Daigle to finish the record.
A coming of age album that pulls from pop, americana, rock, and folk, Expectations is a daring statement tackling topics of religion, mental health, and modern love. Katie Pruitt’s Rounder debut delivers messages of resilience and the idea of embracing what makes you unique. Produced by Katie Pruitt and Michael Robinson Expectations features 10 original songs, that are both uplifting and insightful.
Craft Recordings is thrilled to announce the release of a vinyl box set celebrating one of music’s greatest gospel and soul groups, The Staple Singers. Set for a December 6th release date, Come Go With Me: The Stax Collectionpresents all of the group’s studio albums released on the iconic Memphis label, spanning 1968–1974, and features the Staples’ biggest hits, including “I’ll Take You There,” “Respect Yourself” and “If You’re Ready (Come Go with Me).” The six studio albums were cut from the original analog masters by Jeff Powell at Take Out Vinyl. The final, seventh disc offers rarities, non-album singles and several live recordings from the legendary 1972 Wattstax music festival. The seven discs come in heavyweight 180-gram vinylpressed at Memphis Record Pressing. Housed in a slipcase, the collection also includes a deluxe booklet with archival photos and new liner notes from American music specialist and curator Levon Williams (formerly of the Stax Museum and the National Museum of African American Music), and folklorist, ethnomusicologist and writer Dr. Langston Wilkins. The complete collection will also be released digitally, and the six studio albums will be available in hi-res 24-bit/192 kHz and 24-bit/96 kHz formats for the first time.
Hyacinth is the second album from Spinning Coin. A brave step forward, Hyacinth is an album full of poetry, light and warmth of heart, and presents a band holding nothing back. It registers a number of changes for the group since their debut LP Permo in 2017: personnel changes, geographical changes, a new context, an ever-changing world outside. Throughout Hyacinth, there is joy in spades, but also melancholy, and a checked fury, threading the group's political vision through their refl ections on the personal and the interpersonal. Made in France at Black Box Studios, Hyacinth is a beautiful patchwork of a record, a group spinning off in various directions, sometimes all at once. It's experimental, pop, psychedelic, and it's got so much love and humanity about it.
DEMONS & WIZARDS is one of the most legendary collaborations in the history of heavy metal, uniting the talents of Jon Schaffer (Iced Earth) and Hansi Kürsch (Blind Guardian) who are friends for nearly three decades. DEMONS & WIZARDS musically embodies both musician's stylistic trademarks and has resulted so far in two hugely celebrated studio albums, 2000's 'Demons & Wizards' and 2005's 'Touched by the Crimson King'. Both records have been reissued in 2019 on time with the group's extremely successful return to the world's stages. DEMONS & WIZARDS presented an impressive stage production and intense sets, toured North America for the first time, performed at renowned festivals such as Wacken Open Air (DE), Hellfest (F), Sweden Rock (SE), GMM (BE), Barcelona Rock Fest (ES), Copenhell (DK), Chania Rock (GR), Metaldays (SI) as well as shows in Moscow, London and many more. Now, the band presents 'III', a stunning monument of dynamic and powerful heavy metal that simply has all you would expect from these iconic musicians! 'III' is epic, melodic, crushingly heavy, atmospheric, and all in between. 65 minutes of heavy metal mastery!
When it came time to make their new album, "The Death Of Me", Sydney metalcore outfit Polaris knew they had a tall order on their hands. It's predecessor, their 2017 debut "The Mortal Coil", was an ARIA-nominated, Top 10 hit in Australia, introducing the group to legions of fans around the country and, thanks to an extensive international touring schedule, the world as well. Walking a line between maintaining what's defined the band, while trying to write for themselves and remain interested, Polaris wanted to give their fans things they wouldn't expect, take them to new places, but also remain definitively a Polaris record.The tone was set early in the writing process when the first two songs the five-piece penned - the melodically charged "Masochist" and the feral, two-minute-40-second aural headbutt that is "Hypermania" - stretched the boundaries of their sound further than ever before. These songs set the course for an album that features some of the most bruising material Polaris have recorded - witness the churning, high intensity "Landmine" - and in the '80s rock-infused "Martyr (Waves)", some of their most melodic. Attuned listeners may also hear a palpable undercurrent of anxiety and paranoia in songs such as "Hypermania". It stems not only from the pressure of following "The Mortal Coil", but from the fact that while writing "The Death Of Me" each member was coming to terms with their world being turned upside down by the success of their debut.
Yacht Rock Revue's first original record, Hot Dads in Tight Jeans, aptly embodies the band in both title and in essence. An album of ten songs inspired by the smoooooth sounds of the Seventies and Eighties, Hot Dads in Tight Jeans is as plush and shiny as Kenny Loggins' beard. Produced by Ben Allen (Animal Collective, Kaiser Chiefs, Gnarls Barkley), it returns Yacht Rock Revue to their roots in original music while paying homage to the genre that granted them esteem in a fresh, modern way. "Step," the record's first single.", serves as the mission statement for the album in a way, because it's about deciding who you want to be, and making space for that in your life. Lauded by The Boston Herald as both "hip and classic," Hot Dads in Tight Jeans has been featured in Entertainment Weekly, Rolling Stone, Adult Swim, Sirius XM. The national 35-city Hot Dads in Tight Jeans tour is happening Spring 2020, sponsored by Sirius XM Yacht Rock Radio.
Lost At Midnight is the mesmerizing debut album from critically-acclaimed electronic-pop producer, OTR. Featuring Vancouver Sleep Clinic and emerging artist Saint Sinner, the album cuts right to the heart with poignant piano melodies and elegantly sculpted beats. Standout tracks include “Heart” ft. Shallou (a hit #1 on the Sirius XM Chill chart), ‘Broken’ ft. Au/Ra, ‘Drive’ ft. Panama, and ‘Midnight Sun’ with Ukiyo which is also featured on the Netflix film ‘To All The Boys: P.S. I Love You’. Standard packaging with spot UV LP.
Bon Jovi’s new album Bon Jovi 2020 is the 15th studio album from the Rock & Roll Hall of Fame band. The album, due out May 15th, features the new single “Limitless” as well as “Unbroken,” which was featured in the documentary “To Be Of Service”. The album releases a little less than a month in front of their US arena tour. 2LP pressed on 180-gram gold vinyl.
Hayley Williams hugely anticipated debut solo album Petals For Armor arrives via Atlantic Records on Friday, May 8th. Produced by Taylor York – Williams’ lead collaborator in the GRAMMY® Award-winning Paramore – the album was heralded earlier this month by the acclaimed first single, “Simmer”. The smoldering track arrived alongside its own Warren Fu-directed video, providing a compelling first chapter to a continuing storyline.
Holy Wave is a band of multi-instrumentalists from Austin, TX. Originally from El Paso, the band’s sound has evolved into a unique blend of sun baked surf-psychedelia. Holy Wave creates a brand of psych that brings to mind fellow Texans like The 13th Floor Elevators and modern contemporaries like The Black Angels and Night Beats, dyed in carefully constructed noise with an attention to detail echoing the work of influences like My Bloody Valentine and Spectrum.
"It was in winter 18/19 - I flew to Montreal to meet with Tim Kingsbury, Richard Reed Parry, Craig Silvey and Teddy Impakt at Le Studio Du Arcade Fire. It was a fine time with a dream team in a city I love. Winter in beautiful Quebec. Les semaines les plus froides de ma vie. I had a bunch of demos that were inspired by migration stories I had heard from friends or read in newspapers while on tour in Europe and North America. I remember being struck by the similarities of the stories I heard from both continents and how really only the names of the powerful and the powerless had changed - thinking, "Is this the future? Is this our future?"Some time went by, the stories wove together and I remember them now closer to characters in a dream of how people could treat each other than any kind of front-page news realism. I think music subconsciously - whether writing or listening - is a filter for me - helping to process all the bad news into something new to build from - some records to me are like self-fulfilling prophecies - visualizing change to wish something into being - those records inspired this one." - M. Ward
Thievery Corporation's historic concert in 2017 at The JFK Center in Washington, D.C saw their songs re-imagined with orchestral arrangements from some of today's leading young classical composers. The show is now legendary, and those fortunate to attend heard Thievery Corporation in an entirely new way. To honor this show and inspiration it provided, Hilton and Garza have created Symphonik - recorded with Prague's FILMHarmonic Orchestra; engineering and co-production by Gianmaria Conti.
Thundercat is set to release his new album It Is What It Is on Brainfeeder Records on April 3, 2020, and shares the first music; 'Black Qualls (featuring Steve Lacy and Steve Arrington). The album, produced by Flying Lotus and Thundercat, features musical contributions from Ty Dolla $ign, Childish Gambino, Lil B, Kamasi Washington, Steve Lacy, Steve Arrington, BADBADNOTGOOD, Louis Cole and Zack Fox. It Is What It Is follows his game-changing third album Drunk (2017). That record completed his transition from virtuoso bassist to bonafide star and cemented his reputation as a unique voice that transcends genre. 'This album is about love, loss, life and the ups and downs that come with that,' Bruner says. 'It's a bit tongue-in-cheek, but at different points in life you come across places that you don't necessarily understand' some things just aren't meant to be understood.'
Hinds are a four-piece garage-pop band based in Madrid, Spain consisting of Carlotta Cosials (vocals, guitar), Ana Perrote (vocals, guitar), Ade Martin (bass, backing vocals) and Amber Grimbergen (drums). Hinds' breakout debut Leave Me Alone was an album of party anthems drenched in metaphors. With their forthcoming sophomore record, I Don't Run, it's time to cut straight to the chase. Some might expect them to write songs about being happy, young and carefree -- "but we're not satisfied with that," explains guitarist Ana Perrote. "On this album the struggles are clear. We want to be brave." I Don't Run is Hinds' return, off of their next album The Prettiest Curse out April 3rd, with an honest reflection on a period that changed their lives beyond their wildest imaginations. Since 2014, the band has been on a globe-trotting run. They've never professed to being error-free, and they're all the more brazen for it having survived everything that's been thrown at them: world tours, sold-out crowds, harsh criticism, sexism, and all that lies in-between. Hinds have become better musicians, tighter friends and tougher characters.
Necroscape is the 2nd album from Mike Patton and Anthony Pateras' modernist electro-acoustic rock proposition t t ma. Joined by violinist Erkki Veltheim and drummer WIll Guthrie in quartet formation, this record continues to employ the wayward orchestrations and arresting physicality of their 2014 debut Geocidal, yet is renewed by a melodic language which grounds it's multi-coloured twists and turns in hallucinatory lyricism. Where Geocidal was loosely based on futuristic post-colonial dystopias, its even cheerier successor is sculpted around isolation in the surveillance age; and although lofty/high-concept sounding, this is still an intensely fun and heavy listen. Necroscape synthesizes a lot of territory: odd-time rock, musique concrète, otherworld grooves, soul, industrial noise, microtonal psychoacoustics .seemingly strange bedfellows on paper, yet in the ears they surprisingly coalesce into 13 songs which playfully challenge our notions of sonic logic and make you move at the same time. In a nutshell, listening to Necroscape creates the weird sensation of exclaiming "of course!" and "wtf?" simultaneously. 5 years in the making, Necroscape mushroomed organically from Pateras' production based on tape loops, analogue synthesis and rarified keyboard instruments in combination with Patton's dense vocal arrangements, Veltheim's exploratory violins and Guthrie's unique percussive strategies. The result is a handmade, kaleidoscopic tour-de-force which re-imagines songwriting as something other. Artwork features beautiful leather sculptures by Talitha Kennedy, tiled lyric sheet and limited edition white vinyl. t t ma invites you to listen.
Critically acclaimed indie rock mainstays Born Ruffians return with their sixth studio album, JUICE, on Yep Roc Records. JUICE finds the band moving into a more confident and polished direction, bringing to mind 1970s songwriting prowess with layered, and mature production sensibilities. The album was produced by Graham Walsh, known for his work with Alvvays, !!! (Chk Chk Chk), and Holy Fuck. The First Edition LP arrives on yellow vinyl and includes a postcard to send a redeemable digital download of the album to a friend!
Produced by Grammy Award winning producer T Bone Burnett, Logan Ledger’s self-titled full-length debut album matches his moody noir lyricism with a darkly toned take on country music, a sound that’s stylistically wayward yet deeply grounded in classic songmanship.
'I learned long ago, never to wrestle with a pig' reasoned George Bernard Shaw. 'You get dirty, and besides, the pig likes it.' True to form, Pigs Pigs Pigs Pigs Pigs Pigs Pigs have left the wiser of us aware that they are no band to be messed with. This is made manifest on 'Viscerals', their third proper, and an enormous leap forward in confidence, adventure and sheer intensity even from their 2018 breakthrough 'King Of Cowards'. Incisive in its riff-driven attack, infectiously catchy in its songcraft and more intrepid than ever in its experimental approach, 'Viscerals' is the sound of a leaner, more vicious Pigs, and one with their controls set way beyond the pulverising one-riff workouts of their early days. Yet Pigsx7 have effortlessly broadened their horizons and dealt with all these new avenues without sacrificing one iota of their trademark eccentricity, and the personality of this band has never been stronger, whether on the Sabbathian and philosophical warcry of 'Reducer', the debauched, Jane's Addiction-tinged swagger of 'Rubbernecker', the Melvins vs Sonic Youth demoltion derby of 'New Body' or even the demented MBV-meets-Twisted-Sister party-banger from hell that is 'Crazy In Blood'. 'We're a peculiar bunch of people - a precarious balance of passion, intensity and the absurd' notes vocalist Matt Baty. Such is the unstoppable character of this unique and ever-porcine outfit; still the hungriest animals at the rock trough.
Recorded in 1982, not long after she moved to Paris, Fodder On My Wings was one of Nina Simone's favorite albums. In addition to having written the music and lyrics for all but one of the album's 13 songs, the back cover proudly states that she 'arranged, conducted and conceived' all of them. Originally recorded for a small French label and only sporadically available since its initial release, Fodder On My Wings is a lesserknown but important part of Nina's musical history. The album contains deeply personal songs, including 'I Sing Just To Know That I'm Alive' and 'I Was Just A Stupid Dog To Them', as well a searing lyrical improvisation about the death of her father on 'Alone Again, Naturally'. Recorded at a time when Nina was feeling rejuvenated by her surroundings and the African musicians she met in Paris, Fodder On My Wings is an essential Nina Simone album that is making a longoverdue reappearance.
The full-length debut from Ellis, Born Again takes place in spaces both intimate and vast, ordinary and near-mythic: warm beds and lonely church pews, restless cities and desolate forests and the furthest reaches of the cosmos. Produced by Jake Aron (Snail Mail, Solange, Grizzly Bear) and recorded partly at Aron’s Brooklyn studio, Born Again arrives as the followup to Ellis’s debut EP The Fuzz—a self-released, self-produced effort that promptly led to a deal with Fat Possum Records. In a departure from the viscerally charged dream-pop of The Fuzz, Born Again unfolds with a mesmerizing subtlety, gracefully spotlighting Ellis’s unhurried melodies, starkly confessional lyrics, and the luminous vocal work she’s shown in opening for artists like Soccer Mommy and Alvvays.
First time available on vinyl Includes original essay by Peter Guralnick with expanded recording session info Most tracks were written and produced by Sam Cooke The album includes Civil Rights anthem "A Change is Gonna Come" and title song "Keep Movin' On," which was recorded just one month shy of Sam Cooke's penultimate birthday
Montreal dream-pop four-piece TOPS will be releasing a new album called "I Feel Alive" on 4/3. "I Feel Alive" was recorded in a basement studio in Montreal with keyboardist Marta Cikojevic, who joined the band as a live member in 2017. “From the first time we practiced with her it was clear that we were in sync musically, and we found ourselves improvising together at the first rehearsal,” says singer Jane Penney. “Having Marta manning the keys allowed me to reach for my flute, and gave me the chance to integrate my flute playing with the writing process, using it as an expressive instrument rather than more production element which it has been in the past.”
Confusing Mix of Nations is the debut album from CMON, the Los Angeles pairing of Josh da Costa and Jamen Whitelock. Each of the ten tracks reads like a postcard from a different aesthetic era, from the heavy atmospherics and melancholic soul reminiscent of Regal Degal, the duo's prior project, to the four-on-the-floor EBM rhythm grids and sublime AOR guitar lines picked from pop's outer limits.
Returning with their thirteenth studio album Testament's "Titans of Creation" contains twelve tracks of unstoppable energy from these originators of Bay Area Thrash! Loyal to the roots of the genre they helped define Testament bring alluring brilliant and progressive ingredients to this new release an exciting new album in their consistently heavy and inspiring cannon
Multi-Platinum-selling country star Sam Hunt announces his eagerly-awaited sophomore album SOUTHSIDE, releasing April 3 on MCA Nashville. The album will feature his current Top 5-and-climbing radio hit “Kinfolks,” the introspective ballad “Sinning With You,” and more from the award-winning artist. SOUTHSIDE will be the first full album since Hunt’s critically acclaimed, GRAMMY-nominated, Triple Platinum-selling debut, Montevallo.
Guardians remains true to August Burns Red heavy sound. It is the most collaborative writing effort to date and remains true to form for the band. It is 11 heavy tracks that have a common theme of helping others.
In celebration of Billy Raffoul’s third EP release ‘A Few More Hours at YYZ’, we will release a special vinyl piece that
includes the new EP and fan favorite tracks on the B-Side! Set to release in line with the digital EP on April 3rd
under Interscope Records.