Vinyl: New & Re-Issues

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Flying Lotus

Flamagra [Limited Edition Deluxe 2LP]

Vinyl: $42.98 UNAVAILABLE
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Enter Flamagra - a work that sweeps up every quantum advance and creative leap of the last dozen years of Lotus career and takes them even further; the Warp release encompasses hip-hop, funk, soul, jazz, global dance music, tribal poly-rhythms, IDM, the L.A. Beat scene, but it soars above a specific vortex whose coordinates can t be accurately charted. Other than to say that it is a Flying Lotus record, perhaps the definitive one. An astral afro-futurist masterpiece of deep soul, cosmic dust, and startling originality. He s aided by a dream cast of collaborators: Anderson Paak, George Clinton, Yukimi Nagano of Little Dragon, Tierra Whack, Denzel Curry, Ishmael Butler of Shabazz Palaces, Toro y Moi, and his telepathic kinsman, Thundercat. David Lynch even pops up for an eerie narration wherein he somberly warns that, 'Fire is coming.' But they all naturally bend to the magnetic warp of Lotus spells -- a transfixing hex unto themselves. Limited Edition double vinyl with mirrorboard pop-up gatefold sleeve.

Flying Lotus - Flamagra [Limited Edition Deluxe 2LP]
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Tim Hecker

Anoyo [LP]

Vinyl: $24.99 Buy

MP3 Album: $5.99 Download

Vinyl LP pressing. Anoyo ("the world over there") draws from the same sessions which led to the 2018 work Konoyo but rendered starker, solemn, and stripped back, with more of a naturalist tint. Tim Hecker's processing here moves in veiled ways, soft refractions and whispered shrouds woven within improvisational sessions of traditional gagaku interplay, evoking a sense of vaulted space, temples at dawn, shredded silk fluttering in the rafters. This is boldly barren music, skeletal and sculptural, shaped from wood, wind, strings, and mist. Modern yet ancient, delicate and desolate, Anoyo inverts it's predecessor to compellingly conjure a parallel world of illusion, solitude, and eternal return.

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The National

I Am Easy To Find [Deluxe 3LP]

Vinyl: $61.98 UNAVAILABLE

I Am Easy To Find is The National’s eighth studio album and the follow-up to 2017’s GRAMMY®-award winning release Sleep Well Beast. A companion short film with the same name will also be released with music by The National and inspired by the album. The film was directed by Academy Award-nominated director Mike Mills (20th Century Women, Beginners), and starring Academy Award Winner Alicia Vikander. Mills, along with the band, is credited as co-producer of the album, which was recorded at Long Pond, Hudson Valley, NY with vocal contributions from Sharon Van Etten, Brooklyn Youth Chorus, Lisa Hannigan, Mina Tindle and more. On September 3, 2017, director Mike Mills emailed Matt Berninger to introduce himself and in very short order, the most ambitious project of the National’s nearly 20-year career was born and plans for a hard-earned vacation died. The Los Angeles-based filmmaker was coming off his third feature, 20th Century Women, and was interested in working with the band on...something. A video maybe. Berninger, already a fan of Mills’ films, not only agreed to collaborate, he essentially handed over the keys to the band’s creative process. The result is I Am Easy to Find, a 24-minute film by Mills starring Alicia Vikander, and I Am Easy to Find, a 68-minute album by the National. The former is not the video for the latter; the latter is not the soundtrack to the former. The two projects are, as Mills calls them, “Playfully hostile siblings that love to steal from each other”—they share music and words and DNA and impulses and a vision about what it means to be human in 2019, but don’t necessarily need one another. The movie was composed like a piece of music; the music was assembled like a film, by a film director. The frontman and natural focal point was deliberately and dramatically side staged in favor of a variety of female voices, nearly all of whom have long been in the group’s orbit. It is unlike anything either artist has ever attempted and also totally in line with how they’ve created for much of their careers.

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I Am Easy To Find is The National’s eighth studio album and the follow-up to 2017’s GRAMMY®-award winning release Sleep Well Beast. A companion short film with the same name will also be released with music by The National and inspired by the album. The film was directed by Academy Award-nominated director Mike Mills (20th Century Women, Beginners), and starring Academy Award Winner Alicia Vikander. Mills, along with the band, is credited as co-producer of the album, which was recorded at Long Pond, Hudson Valley, NY with vocal contributions from Sharon Van Etten, Brooklyn Youth Chorus, Lisa Hannigan, Mina Tindle and more. On September 3, 2017, director Mike Mills emailed Matt Berninger to introduce himself and in very short order, the most ambitious project of the National’s nearly 20-year career was born and plans for a hard-earned vacation died. The Los Angeles-based filmmaker was coming off his third feature, 20th Century Women, and was interested in working with the band on...something. A video maybe. Berninger, already a fan of Mills’ films, not only agreed to collaborate, he essentially handed over the keys to the band’s creative process. The result is I Am Easy to Find, a 24-minute film by Mills starring Alicia Vikander, and I Am Easy to Find, a 68-minute album by the National. The former is not the video for the latter; the latter is not the soundtrack to the former. The two projects are, as Mills calls them, “Playfully hostile siblings that love to steal from each other”—they share music and words and DNA and impulses and a vision about what it means to be human in 2019, but don’t necessarily need one another. The movie was composed like a piece of music; the music was assembled like a film, by a film director. The frontman and natural focal point was deliberately and dramatically side staged in favor of a variety of female voices, nearly all of whom have long been in the group’s orbit. It is unlike anything either artist has ever attempted and also totally in line with how they’ve created for much of their careers.

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Minor Poet

The Good News [LP]

Vinyl: $14.98 UNAVAILABLE

MP3 Album: $4.99 Download

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After spending years writing and recording music by himself in various bedrooms and basements, Andrew Carter hit his stride with the debut Minor Poet album, And How!. Made on a creative whim with no outside expectations, the eleven-song collection combined Carter’s love of carefully-crafted pop with a loose, fun, off-the-cuff recording aesthetic. The album was released in 2017 and developed a small but loving fan base, and Minor Poet has grown from a passion project into a cross-country touring band with write-ups in publications such as American Songwriter, Magnet, The Wild Honey Pie, Impose, and more.

Minor Poet’s second album, The Good News, is a six-song collection that expands the boundaries of what constitutes the band’s sound. In just twenty-two minutes, the songs take apart the standard formulas of guitar-based rock and infuse them with vibrance and energy. On opener “Tabula Rasa,” interlocking guitars and a Farfisa organ carry the song through until everything drops suddenly into a doo-wop section that wouldn’t be out of place on a 1950’s

Minor Poet - The Good News [LP]
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Rammstein

RAMMSTEIN [2LP]

Vinyl: $38.98 UNAVAILABLE

MP3 Album: $11.49 Download

“DEUTSCHLAND” is the first music to be revealed from the first new RAMMSTEIN studio album since 2009’s LIEBE IST FÜR ALLE DA. The new album is produced by Olsen Involtini with RAMMSTEIN. RAMMSTEIN is CHRISTOPH SCHNEIDER, FLAKE LORENZ, OLIVER RIEDEL, PAUL LANDERS, RICHARD Z. KRUSPE, and TILL LINDEMANN.
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Double vinyl LP pressing. Now available on vinyl, Max Richter's score for the 2018 drama Never Look Away is released on DG. The latest from director Florian Henckel von Donnersmarch (Lives of Others), Never Look Away is inspired by the life of artist Gerhard Richter through the story of an art student in post-war East Germany. The film was selected as the German entry for Best Foreign Language Film for the Academy Awards and stars Tom Schiling, Sebastian Koch and Paula Beer.
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The Explorer’s Edition features all tracks from Egypt Station sessions, including 6 live studio recordings, as well as 4 live performances of Egypt Station tracks from Abbey Road, The Cavern Club, LIPA, and Paul’s iconic performance at Grand Central Station.

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Here Swings The Judge is Milt Hinton’s first LP as a band leader, and includes intimate, private recordings featuring Ben Webster on tenor saxophone before his departure to Europe in 1964. The remaining tracks consist of dynamic studio recordings produced by Harry Lim, and feature prominent players such as Jon Faddis and Budd Johnson. These sessions range from the swinging “Blue Skies,’ to the slow, serene blues of “Blues for the Judge.” This is truly an impressive collection of recordings from the group of early jazz musicians.

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FULL OF HELL make their Relapse debut with their most explosive album to date, Weeping Choir. Dynamic, pissed, and wholly urgent, the highly anticipated Weeping Choir is a definitive statement of intent by one of the underground’s most dynamic and virulent entities. FULL OF HELL have once again culled the extreme elements from hardcore, metal, and power electronics to redefine darkness and sheer brutality. Distorted guitars, and ominous, disparate electronics grind and gnash against rapid-fire drumming, as FULL OF HELL take themes of religion, loss, hatred, and set them ablaze. Recorded by the critically acclaimed Kurt Ballou at GodCity Studio, Weeping Choir sees FULL OF HELL fully unleashed. Abrasive, confrontational, none equal!

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As he approaches his 70th birthday, it's incredible that Nick Lowe hasn't lost a step in his unrivaled songwriting and rockin' abilities. His forthcoming four song EP, Love Starvation/Trombone, features the razor-sharp lyricism that he's made so famous and is complemented by the returning dulcet tones of his backing band and tour mates Los Straitjackets. Lowe originals like 'Love Starvation,' 'Trombone' and the tender 'Blue on Blue' are among his strongest compositions across his half-a-century-spanning career. Lowe breathes new life into a cover of Rick Nelson's 'Raincoat in the River,' which may be mistaken for an original given the unique cadence and arrangement Nick and Los Straitjackets put on the classic tune. There's no slowing down for Nick Lowe, and these four songs will leave you pining for even more from the Jesus of Cool.

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A beautiful vinyl pressing of Zorns most delightful and popular instrumental unit The Dreamers performing nine compositions inspired by the imaginary worlds of fantasy literature. Featuring some of Zorns catchiest hooks and plenty of fiery solos from Ribot, Saft and Wollesen, Pellucidar blends soul, surf, jazz, minimalism, rumba, tango, samba, exotica and more in classic Dreamers style.
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The iconic California psychedelic punk legends are back! They're on tour again, and have recorded this new album featuring David Aguilar, Tim Abbott and Gary Andrijasevich (who have been in the band since the late '60s) as well as new members who are longtime fans and bring bracing new energy to the band's classic sound. Their sizzling sonics are intact and their penchant for political rebellion is perfect for these times as they do "Judgment Day," "Secret Rendezvous," "Talk Talk," "This Is My Voice," "Trouble Everyday" and more. CD or vinyl! Dirty Water.
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Frenship

Vacation [LP]

Vinyl: $26.98 UNAVAILABLE

Platinum-selling duo FRENSHIP release their debut studio album on Counter Records featuring collaborations with Bastille & Yoke Lore.

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Lewis Capaldi

Divinely Uninspired To A Hellish Extent [LP]

Vinyl: $25.98 UNAVAILABLE

MP3 Album: $9.99 Download

Lewis Capaldi will release his debut album — Divinely Uninspired to a Hellish Extent – on May 17th via Capitol Records, featuring the top 10 UK single “Someone You Loved” which Idolator predicted “Is Going To Be Big…It goes without saying that he’s One To Watch.” TIME said, “Lewis Capaldi has the kind of deep, textured voice that you could listen to for hours. He finds expressive rough edges, then smooths them out into the sweetest of notes.”

Capaldi was hailed as a 2018 Vevo DSCVR Artist To Watch, longlisted for the BBC Sound Of 2018 Poll, and won Breakthrough Artist of the Year honors at the Scottish Music Awards. He has toured with Rag’n’Bone Man, Niall Horan, and Sam Smith, and performed at such festivals as Lollapalooza, Bonnaroo, Firefly, Mountain Jam, Splendour in the Grass, Fuji, and Osheaga. Capaldi was recently nominated for the BRIT Awards 2019 Critics’ Choice award and named an MTV UK PUSH Ones To Watch artist.

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ohbliv

Give Thanks [LP]

Vinyl: $19.98 UNAVAILABLE

MP3 Album: $10.99 Download

Vinyl LP pressing. Ohbliv has caught recent looks for his hugely prolific output, a fiery catalogue of 50 Bandcamp releases, celebrated collabs, and an entry on Fat Beats' prestigious Baker's Dozen series. Not a bad ascendant for someone who started in the late '90s emulating past masters through making pause-tapes. "I'm 36. I grew up on Large Pro, Pete Rock, Preemo, Ced Gee, Paul C, Bomb Squad, especially the pause tape aesthetic. In my developmental stages, those are the main ones," he says, before adding: "My parents are also a big inspiration. I feel like my dad was a real digger before it was even a thing. I've found records in his collection that I haven't even found out in the field while I'm digging. I credit him for that." Richmond, Virginia isn't particularly known for it's booming music scene but Ohbliv (pronounced "Obliv," short for Oblivion) has seen a steady rise in awareness of his hometown's musical offerings. On his local scene, he says: "Everybody has his or her own style. There are pockets and different sounds. There's the more street side of things, the more traditional hip-hop, the more progressive guys. There's no one solid style, everyone's doing their own thing, but everyone works together too." 2018's joint with another Richmond stalwart artist, Fly Anakin, produced Backyard Boogie and cemented this notion, showcasing a mature beatsmith who could thoughtfully lace Anakin's colorful rhymes with dynamic boom-bap. This year, Ohbliv reunites with Fat Beats with whom he's always had a fruitful working relationship. "I would consider this a proper follow up to the second Baker's Dozen release. I also have two tapes through Fat Beats, two Lewse Joints cassettes. But this is the first proper follow-up," he says. With a lot of familial pride and years of experience behind this moment, the new album is fittingly titled, Give Thanks. The project is a woozy pastiche of eclectic samples chopped to bits with the aid of an SP-4O4, PT01 turntable, and digi-recorder. While Ohbliv does use an MPC 2000 here and then, the 404-SX is his main weapon of choice

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Esperanza Spalding has announced an audacious new project called ‘12 Little Spells’ that finds Spalding conjuring in the medium of musical creation, through an exploration of the body, human energy and healing. Esperanza released one new spell per day on her website and social platforms as well as a “Liner Notes Live” hosted on Facebook all resulting in over 3.1 million views. The spells come in the form of new music, which was crafted by Spalding at a castle in Italy last month, and then recorded in sessions completed just yesterday in Brooklyn. Each spell will be presented with song-specific imagery and video spells (short films that will accompany each release).

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The Get Up Kids

Problems [LP]

Vinyl: $23.99 Buy

MP3 Album: $9.99 Download

After releasing their highly anticipated Kicker EP in the summer of 2018 (which Pitchfork described as the band's "most satisfying release in nearly 20 years"), The Get Up Kids have returned with an invigorating new full-length album, Problems. Produced by Peter Katis (The National, Interpol, Sharon Van Etten), Problems sees the band expanding on the unmatched energy and emotion found on Kicker and channeling it into a fresh collection of songs that showcases the highly developed songwriting characteristics and impeccable use of melody we've come to expect from the Kansas 5-piece. Standouts like "Satellite" and "The Problem Is Me" make it clear the band has come full circle while continuing to evolve.

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Charly Bliss are back with their sophomore album Young Enough. Produced by Joe Chiccarelli (U2, Beck, Alanis, The Strokes, The Killers, My Morning Jacket, Cage The Elephant), the album finds the band exploring both the darker and poppier side of their sound while expanding on what made their debut album Guppy a critically acclaimed success by outlets such as NPR, Stereogum, Pitchfork, FADER, The Ringer and more. The band toured extensively in 2017 and 2018 as they headlined several tours, appeared at festivals like Shakey Knees, Boston Calling and Sasquatch and supported the likes of Wolf Parade, Tokyo Police Club, Pup, Sleater-Kinney and Veruca Salt. They just opened all of the Death Cab for Cutie shows this past fall across the entire US which coincided with the release of their standalone single Heaven which got a ton of press, including Pitchforks coveted Best New Track moniker. Pressed on translucent blue vinyl.

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Beloved Exile is the new studio full-length by Steve Moore, his first non-soundtrack album in over five years, and his first for Temporary Residence Ltd. A prevalent figure of the modern synth era, Moore cofounded the influential synth-prog duo, Zombi, and has scored more than a dozen feature films and TV shows, including The Guest, Crunch Time, and Mayhem. Composed and produced by Steve Moore in his home studio in upstate New York, Beloved Exile is a collaboration with internationally-renowned Tunisian singer-songwriter Emel Mathlouthi, visionary harpist Mary Lattimore, and veteran percussionist Jeff Gretz. Drawing influences from vintage ambient synth libraries, New Age/spiritual music, and menacing horror film canon, Beloved Exile proves to be simultaneously exquisite and deceptively unsettling. It is appropriate, then, that a literary treasure like John Darnielle (The Mountain Goats), would provide the song and album titles - his masterful mind most fitting to put moniker to this mercurial triumph.
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Vinyl LP pressing including digital download. Craig Leon revisits the extraterrestrial origins of civilization in Anthology of Interplanetary Folk Music Vol. 2: The Canon. Picking up where the pioneering electronic albums Nommos and Visiting (Anthology of Interplanetary Folk Music Vol. 1) left off, The Canon traces the imparted knowledge of alien visitors as it spread from Africa across the ancient world. Co-produced and featuring vocals by Cassell Webb, the pair engage a sonic pallet familiar from Vol. 1, updated with ecstatic contemporary sound and synthesis, creating a propulsive, exploratory album of cosmic lore and speculative anthropology.
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A Bondy A

Enderness

Vinyl: $19.98 UNAVAILABLE
Vinyl LP pressing. Enderness, A.A. Bondy's first album in eight years, was finished the day before the California wildfires burned his house down. He recorded and played everything on the ten track collection himself. The Fat Possum Release serves as the long-awaited follow up to 2011's Believers and is ushered in by the hazy lead single, "Images of Love."
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CJ Ramone

The Holy Spell... [LP]

Vinyl: $15.98 UNAVAILABLE

MP3 Album: $9.99 Download

Vinyl LP pressing. CJ Ramone made his name as a member of (arguably) the greatest punk band of all time, and nearly 25 years after that experience, it'd be understandable if he now spent his days resting on his legacy and tsk-tsking the state of punk rock. Instead, The Holy Spell..., CJ's third full-length for Fat Wreck Chords, joyfully celebrates his undiminished love of music. It's right there in the title. "I never lost that magical feeling that you get from music, and that's where the title came in," he says. "The bands that I listened to when I was young that I really enjoyed, I can still put that music on now, and it still has the same magic for me."
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The Mystery Lights's sophomore album on Daptone's rock subsidiary, Wick Records, finds the group digging deeper into their well of eclectic influences, enriching their sound without echoing the past. It mixes the eerie, insistent synth sounds of groups like The Normal and Suicide, the energy and swagger of punks golden age, the pop sensibility of The Kinks, and the stark, deliberate execution of Television. The Mystery Lights are taking their idiosyncratic brand of rock and roll to dizzying new heights.

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Vinyl LP pressing. Soul Jazz Records are proud to present this new collection of music from the great Fashion Records, one of the most important and iconic independent reggae labels to come out of the UK, and which ran from 1980 for nearly 20 years. In that time Fashion released hundreds of records that successfully reflected, and indeed set, the changing styles and perspectives of reggae music in the UK from UK dancehall and lovers rock in the 1980s through to the mighty rise of jungle in the second half of the 1990s. While nearly all other UK reggae labels focused on releasing Jamaican music from the early days of Island and Trojan in the 1960s, through Island and Virgin in the 1970s, and Greensleeves that came up in the 1980s Fashions focus was firmly on music produced in the UK. This unique British perspective shaped both lyrical content and musical fashion. And like all the great music labels from Studio One to Blue Note Fashion was able to create a significant roster of it's own artists. Amazingly for a small independent label, a number of Fashion artists achieved mainstream UK chart and crossover success including Laurel & Hardy, Smiley Culture and General Levy. But although this success was welcomed, crossing over into the mainstream was never the main focus for the label owners Chris Lane and John McGillivray (who also runs the successful Dub Vendor record shop) whose starting point was always primarily focused on producing quality music first.
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Dexter Gordon

Doin' Allright

Vinyl: $24.98 UNAVAILABLE

MP3 Album: $9.99 Download

Limited 180gm vinyl LP pressing. Though he first recorded in the late-1940s, Dexter Gordon's Blue Note debut Doin' Allright-recorded and released in 1961-marked a rebirth for the great tenor saxophonist after a decade in which drug addiction and legal troubles limited his output. But his Blue Note years put him back on top with a run of essential albums that stand as classics of the jazz canon. Doin' Allright featured a top flight quintet with trumpeter Freddie Hubbard, pianist Horace Parlan, bassist George Tucker, and drummer Al Harewood on a set that presented bluesy hard bop originals like "Society Red" and highlighted Gordon's stunning balladry on the standard "You've Changed."
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Having taken a break in 2010 (the previous fifteen years seeing them turn from raucous cult curiosity to chart bothering national treasures) Friendship and the bind of their creativity brought Idlewild back together for 2015's Everything Ever Written. With it, came critical praise, an album in the top 20, and the band selling out venues as large as they ever had. With new members Luciano Rossi and Andrew Mitchell on board, Roddy Woomble, guitarist Rod Jones and drummer Colin Newton felt a renewed sense of purpose. So much so that the week that Everything Ever Written was released, they were already back at the drawing board to start work on what would become the bold step sidewards, forthcoming album Interview Music.Inspired, they later decamped at the end at the end of a US tour in 2016 to Los Angeles to flesh out their ideas, but it would be some years before they set themselves up at Jones' own Edinburgh studio to finish the record. "A lot of the songs are about dreams and dreaming and the thoughts and ideas that come from this state," says Woomble. I live in the Scottish Highlands, and between there and California you've got two locations that can put you in a dream like state- driving down Sunset Boulevard as the sun sets or driving over the remote Ardnamurchan peninsula as the sun rises. The world seems unreal, magical. You're dreaming through a landscape."Before finishing the album, the band performed a run of shows to celebrate the anniversary for their seminal record The Remote Part. One of those shows would see them meet up once again with the producer of that record and 100 Broken Windows, Dave Eringa, who would provide Idlewild with the grounding they needed to finish Interview Music. "Dave produced five songs on the album, but also brought a focus back to the band, and actually made us finish it!" admits Woomble "He made it sound like us,"This is no more apparent than on opener 'Dream Variations'; with its echoing, fever-dream melody, chiming fizzing riff, and vocal harmonies, before taking a sur

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Hælos

Any Random Kindness [LP]

Vinyl: $22.98 UNAVAILABLE

MP3 Album: $9.99 Download

Haelos return with their sophomore album ‘Any Random Kindness’

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Limited 180gm vinyl LP pressing. Live archive release. Elemental Music presents a complete previously unissued quintet performance by the great Woody Shaw recorded live at the Foyer Stadttheater, in Basel, Switzerland, on January 16, 1980. This outstanding concert features Shaw in the company of saxophonist Carter Jefferson, pianist Larry Willis, bassist Stafford James, and drumer Victor Lewis. This gatefold edition includes rare photographs and special essays by famed jazz producer Michael Cuscuna and by Shaw's son Woody Shaw III.
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Robert Glasper

Canvas

Vinyl: $34.98 UNAVAILABLE

MP3 Album: $5.99 Download

Double 180gm vinyl LP pressing. On his acclaimed 2005 Blue Note debut Canvas, pianist and composer Robert Glasper proved he had jazz chops in abundance with his acoustic trio featuring bassist Vicente Archer and drummer Damion Reid, while a hip hop sub-context lay just beneath the surface in the album's skittering beats, hinting at future directions that Glasper would take on albums like the Grammy-winning Black Radio years later. The album featured special guests Mark Turner on tenor saxophone plus vocalist Bilal, and presented Glasper's signature sound on 9 original tunes as well as a nod to one of his biggest influences Herbie Hancock with a version of "Riot."
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Alice Coltrane

Radha-Krsna Nama Sankirtana

Vinyl: $25.98 UNAVAILABLE

MP3 Album: $7.99 Download

Vinyl LP pressing. Radha-Krsna Nama Sankirtana was the first of two albums Alice Coltrane released in 1977 (the other being Transcendence). Coltrane's music during this period grew out of an epiphany in which she would renounce secular life and don the orange robes of a swamini (spiritual teacher in the Hindu tradition). Musically, this meant leaving jazz behind (at least partially) and embracing the chants and rhythms of devotional music. The first half of Radha-Krsna is mostly filled with simple arrangements of bhajans (Hindu devotional songs) and features the singing of students from the Vedantic Center, the Ashram that Coltrane founded in 1975. The group bounces with the joy of a gospel choir (not coincidentally, some had backgrounds in Southern Baptist churches). A rapturous aura permeates opener "Govinda Jai Jai" with Alice leading on Fender Rhodes. On "Prema Muditha," she returns to acoustic piano (her main instrument in the early part of her career) to deliver a powerful and poignant theme. Sidelong "Om Namah Sivaya" beams with probing organ improvisations accompanied by the drumming of her 13-year-old son Aruna John Coltrane, Jr. This closing track offers a strong indication that even if Alice Coltrane was turning toward new traditions for inspiration, her music was still something that only she could make.
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Alice Coltrane

Transcendence

Vinyl: $25.98 UNAVAILABLE

MP3 Album: $8.99 Download

Vinyl LP pressing. Transcendence was not only Alice Coltrane's last studio album for Warner Bros., it would also be her last studio work for nearly three decades. While Eternity and Radha-Krsna Nama Sankirtana followed the composer's muse through an exciting range of musical styles and influences, Transcendence is perhaps the most fully realized of the three LPs, synthesizing the best elements of each into a monumental whole. Side one consists of intimate compositions with Alice's pointillist harp enhanced by intricate string arrangements. At times, the emotional climaxes in "Radhe Shyam" and the title track sound like the score to an epic film. This would be the closest Coltrane ever came to chamber music, yet rendered with her uniquely spiritual tint. Side two moves into celestial territory with uplifting chants, light handclaps and bluesy organ. These call-and-response chants, featuring members from her Ashram, completely embody both African-American gospel and Hindu devotional traditions, an uncanny fusion that is transformed through Alice's pure spirit. What runs through the album's two musical halves is a powerful sense of devotion and discovery. At this point in her life, Coltrane was on a journey toward truth through sound, and Transcendence gives the listener a front row seat to this quest.
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Alice Coltrane

Eternity

Vinyl: $25.98 UNAVAILABLE

MP3 Album: $6.99 Download

Vinyl LP pressing. Released in 1976, Eternity was Alice Coltrane's first album for Warner Bros. After eight wondrous records on Impulse! Combining the drones and textures of India, the gospel and R&B of her Detroit youth and the dissonance of modern classical composition, Coltrane's music in the '70s would become increasingly difficult to categorize. Having moved a few years earlier to California (where she founded the Vedantic Center, an Ashram for spiritual studies), Coltrane stretches out on Eternity-incorporating various musical styles, including a stirring adaptation of Igor Stravinsky's The Rite of Spring-and the results are dazzling, both in sonic scope and emotional range. Opener "Spiritual Eternal" sways between Alice's exploratory organ and the dramatic swell of lush strings. A meditative solo piece for harp, "Wisdom Eye," precedes the rollicking rhythms of "Los Caballos," which showcases some of her finest soloing. "Om Supreme" is the album's first track to be built around bhajans (Hindu devotional songs). Featuring graceful keyboards backed by an angelic choir, this piece hints at the ecstatic devotional music that she would later make with members of her Ashram. While Coltrane would delve deeper into her spiritual journeys and continue to expand her musical interests on subsequent LPs, Eternity remains a vivid and compelling display of her unique vision, myriad talents and passions.
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Alice Coltrane

Transfiguration

Vinyl: $29.98 UNAVAILABLE

MP3 Album: $8.99 Download

Double vinyl LP pressing. By the late '70s, Alice Coltrane had largely gravitated away from jazz, incorporating Hindu chants and hymns into her music to reflect a newfound sense of creative omnipotence. However, in April 1978, she would return to her roots, performing at University of California, Los Angeles to make her first and only live album. Transfiguration, featuring drummer Roy Haynes and bassist Reggie Workman, showcases Alice's many compositional talents and fierce improvisatory abilities. Throughout this double LP set, her playing evokes the time spent in her late husband John Coltrane's band and the avant-garde music of her earlier years. As biographer Franya J. Berkman writes, "Her up-tempo keyboard work here is the most exciting of her commercial career. With it's rapid-fire transpositions of short figures; it's long modal passages, rhythmic play, and timbral inventiveness; it's sustained energy and burning pace; and the unrelenting support of Haynes and Workman, she takes leave of the jazz business with a truly breathtaking swan song." Alice Coltrane would not revisit jazz on record for another 26 years, turning instead to spiritual music made with students at her Vedantic Center and self-releasing a series of cassettes under her Sanskrit name, Turiyasangitananda. It is hard to imagine a better farewell than the intense and spellbinding Transfiguration.
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Vampire Weekend

Father of the Bride [2LP]

Vinyl: $30.98 UNAVAILABLE

MP3 Album: $12.99 Download

Father of the Bride is the highly anticipated new album from Vampire Weekend, and is the band’s fourth full length release. It is the follow up to 2013’s Modern Vampires of the City, which won the Grammy for Best Alternative Music Album in 2014.

Father of the Bride is produced by founding band member Ezra Koenig, and Ariel Rechtshaid (Adele, Madonna, Charli XCX, Usher, HAIM, Solange, and others). The album features 18 songs, with an array of collaborations yet to be revealed. 6 of the songs from Father of the Bride will be released ahead of the full album.

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May 3, 2019 sees the start of Stereolab's seven album reissue campaign when 1993's 'Transient Random Noise-Bursts With Announcements' and 1994's 'Mars Audiac Quintet' are reissued, via Warp Records and Duophonic UHF Disks, as expanded and re-mastered editions on vinyl and compact disc. Each album has been re-mastered from the original 1/2'' tapes by Bo Kondren at Calyx Mastering and overseen by Tim Gane. Bonus material will include alternate takes, 4 track demos and unreleased mixes.

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May 3, 2019 sees the start of Stereolab's seven album reissue campaign when 1993's 'Transient Random Noise-Bursts With Announcements' and 1994's 'Mars Audiac Quintet' are reissued, via Warp Records and Duophonic UHF Disks, as expanded and re-mastered editions on vinyl and compact disc. Each album has been re-mastered from the original 1/2'' tapes by Bo Kondren at Calyx Mastering and overseen by Tim Gane. Bonus material will include alternate takes, 4 track demos and unreleased mixes.

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Pacific Breeze documents Japan's blast into the stratosphere. By the 1960s, the nation had achieved a postwar miracle, soaring to become the world's second largest economy. Thriving tech exports sent The Rising Sun over the moon. It's pocket cassette players, bleeping video games, and gleaming cars boomed worldwide, wooing pleasure points and pumping Japanese pockets full of yen.Japan's financial buoyancy also permeated it's popular culture, birthing an audio analog called City Pop. This new sound arose in the mid '70s and ruled through the '80s, channeling the country's contemporary psyche. It was sophisticated music mirroring Japan's punch-drunk prosperity. City Pop epitomized the era, providing a soundtrack for emerging urbanites. An optimistic spirit buzzed through the music in neon-bathed, gauzy tableaus coated with groove-heavy strokes.Pacific Breeze is an expertly compiled collection of choice cuts that range from silky smooth grooves to innovative techno pop bangers and everything in between. Long-revered by crate diggers and adventurous music heads, this music has never been released outside of Japan until now. Including key artists like Taeko Ohnuki and Minako Yoshida, as well as cult favorites Hitomi Tohyama and Hiroshi Sato, the long-awaited release also features newly commissioned cover painting by Tokyo-based artist Hiroshi Nagai, whose iconic images of resort living have graced the covers of many classic City Pop albums of the 1980s.Many of the key City Pop players evolved from the Japanese New Music scene of the early '70s, as heard on Light In The Attic's acclaimed Even a Tree Can Shed Tears: Japanese Folk & Rock 1969-1973, the first release of the ongoing Japan Archival Series. In fact, you could say City Pop set sail with a champagne smash from Happy End, the freakishly talented subversives who included amongst their ranks Haruomi Hosono and Shigeru Suzuki, both featured on this compilation. As Michael K. Bourdaghs noted in his book, Sayonara Amerika, Sayonara Nippon, this music was, "Deconstructing the line between imitation and authenticity." Some of the best City Pop teeters in this zone-easy listening with mutant exotica, tilted techno-pop, and steamy boogie bubbling beneath the gloss.
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Vinyl LP pressing. The Byrds burst upon an already fertile pop/rock music scene in the spring of 1965 with a stunning retooling of Bob Dylan's "Mr. Tambourine Man" that changed everything. The debut album of the same name that followed, featuring mind blowing folk-rock gems like "The Bells Of Rhymney," "I'll Feel A Whole Lot Better" and "Chimes Of Freedom," was so aromatically intoxicating it even lit a fire under the Beatles across the Atlantic, working on Rubber Soul. The Mr. Tambourine Man longplayer is so bountiful it almost doubles as a Byrds greatest hits, volume one. "Here Without You" and "I Knew I'd Want You" weave a sense of mystery into the Byrds' eerie harmonic tapestry. And "All I Want To Do," along with "Spanish Harlem Incident," once again, connect Dylan's magic to the pop charts in a way only McGuinn, Crosby, Clark, Hillman and Clarke could pull off.
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Vinyl LP pressing. Garage and soul screamer Barrence Whitfield channels the Saturnian ruler of the omniverse with a soul-tripping exploration of Sun Ra favorites - from the explosive "Nuclear War" to the shimmering exotica of "Love In Outer Space" to the Funkadelicized "Everything Is Space." Since the '70s, lucky concert goers have witnessed the adrenaline mainlined madness that is a Barrence Whitfield performance. That brand of madness has been captured on hundreds of feet of magnetic tape and mutated into this studio recording over 25 years in the making - which somehow manages to be at times mellow, and at others completely explosive. Whitfield has channeled the late Sun Ra and delivers what we can best assume Ra would sound like if he had amphetamines kicking up his synaptic dopamine and norepinephrine concentrations in his striatum! Cut by Kevin Gay and pressed on colored vinyl LP at Third Man in Detroit! Includes liner notes from Irwin Chusid and Brother Cleve.
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When PROTOMARTYR—vocalist Joe Casey, guitarist Greg Ahee, bassist Scott Davidson, drummer Alex Leonard—stepped into a studio together for the first time, in November of 2011, they didn’t know they were about to record an album. With only four hours of studio time booked and one case of beer between them, their plan was to walk out with enough songs for a seven-inch single. Instead, at the suggestion of engineer Chris Koltay, the newly formed Detroit outfit recorded as much as they possibly could, in what little time they had. They left with 21 songs—enough material for two singles *and* a full-length album that, years later, is still vital listening. Sold out and out of print shortly after its original release on Urinal Cake Records in 2012, NO PASSION ALL TECHNIQUE is a sometimes messy look at one of rock’s most magnetic bands—and lyricists—just as they were coming to life. Primal, cerebral, heartbreaking, funny—it’s an accidental tour de force that’s also become an unlikely collector’s item. “My memory is shot,” Casey says, “but I appreciate now, looking back, how raw and off-the-cuff it was. There’s tons of mistakes in it and that wasn’t because we planned on it. We still can’t really admit that it’s as good as it is. You never want to say that your first is the best, but I’m happy that the first ended up not being terrible. It gave us doorway to what we’d want to do later. ”

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Features 7 songs from the Editor's Violence album, originally produced and more recently mixed and finished by Blanck Mass. It includes the unreleased ''Barricades'' from the Violence album session, which is a full Blanck Mass production mixed by Alan Moulder as per the rest of the original album.