Originally released in 2002, The Language Of Cities was Maserati’s second album – and their last before Jerry Fuchs joined the band. Out-of-print and unavailable for over a decade, The Language Of Citiesfinally gets reissued on all formats to commemorate the band’s 20th anniversary.

Remastered from the original master tapes by Josh Bonati, The Language Of Citiesfeatured Maserati’s original lineup of Coley Dennis, Matt Cherry, Steve Scarborough, and Phil Horan, and remains the most sprawling and contemplative album of the band’s decades-long career. 

Toronto-based Deanna Petcoff shaped her unique brand of beautiful and confessional indie rock through years of devotion to music, sharing the stage with Molly Burch, Tokyo Police Club, The Nude Party and many more. She excels with heart-on-her-sleeve, emotive lyricism that showcases her strength as a songwriter and vocalist. To Hell With You, I Love You is a reckoning with the loss of a relationship, documenting the aggressive highs and deeply emotional lows that come from falling out of love.

On Graham Bonnet Band's new studio album, "Day Out In Nowhere", Graham Bonnet is joined by long-time bandmates Beth-Ami Heavenstone (bass) and Conrado Pesinato (guitar), as well as keyboardist Alessandro Bertoni and drummer Shane Gaalaas. "Day Out In Nowhere" also sees performance and co-writing guest appearances from Jeff Loomis (Arch Enemy, Nevermore), John Tempesta (The Cult, White Zombie), Mike Tempesta (Powerman5000), Roy Z (Halford, Bruce Dickinson) and Don Airey (Deep Purple, Rainbow), to name a few.

2022 release. This is Matt Andersen's ninth studio album, recorded in his home studio and highlighting his songwriting in an intimate setting. "Matt Andersen has drawn from the best roots music has to offer over his decades-long career: down and dirty blues, heart-wrenching soul, life-affirming gospel, and introspective singer-songwriter balladry. These sounds, textures, and influences are laid bare on House to House..." - No Depression.

'I wrote the album in a tiny apartment, at a time when everything felt big and overwhelming,' says poet and songwriter Jenny Berkel about her new album, "These Are the Sounds Left from Leaving". She was living in a brownstone walk-up full of radiant light and the ever-present soundscape of a leaky bath faucet. It was a sudden move at the time, a spontaneous departure from touring, bustling city life, being many things to many people, that landed Jenny in a space of self-imposed stillness. 'The songs themselves are a study of proximity, bringing big fears into small spaces,' says Jenny, reflecting on the album. 'They're intimate examinations of a world that often overwhelms.' The album features contributions from critically acclaimed folk duo Kacy & Clayton, and string arrangements by Colin Nealis (Andy Shauf)' the record was co-produced by Jenny alongside Dan Edmonds and Ryan Boldt (The Deep Dark Woods). Warm and dark, soft with stabs of madness, "These Are the Sounds Left from Leaving" is a cohesive collection of spare songs that bloom lushly with detail. Whether you're reading Jenny's poetry or listening to her songs, you'll experience her drawing layers of far-reaching concern into particular moments, like concentric waves rippling inward toward a lone cast stone. "These Are the Sounds Left from Leaving" showcases the perspective of a unique storytelling artist, with an evocative practice that hinges powerful narratives on the intricacies of a multifaceted musicality. A songwriter immersed in poetry, a poet immersed in music, her work in all its forms is an invitation into a world of relatable introspection, in which even absences can be sculpted into vividly memorable verse.